hookah & chmee -- Just ran some tests with this LUT this evening. It appears the LUT offsets the magenta cast somewhat, but is still a workaround as I'm getting some harsh banding and bizarre coloration. I see a greenish frame before my media loads, so it's acting like another intermediate color corrector which is another summing operation on the raw data, further destroying it. When I apply further image adjustment it just gets worse. This LUT is, however, useful as a temporary workaround - and chmee you pretty much nailed the color balance, whatever you used.
In terms of the differences between the BMCC CDNG and ML CDNG that EOSHD pointed out, is there a way to populate those fields with dummy or equivalent data to 'trick' premiere into seeing the correct color matrix?
This reminds me of what happens when I try to view 5D3 CR2 files in a lesser photo program like Picasa - EXACT SAME pink cast. Perhaps there's something there worth taking a look at?
I'm committed to helping you guys solve this! It will be a HUGE breakthrough and I'm convinced it will revolutionize the world of RAW.....dun dun dun