This script is
one function short of being
perfect: an "Apply presets" tab, like you get with Batch Processor.
If only it had that, it could take care of all the processes one needs to go through in AE in order to end up with Cinelog-C ProRes-files w/ synced audio.
Anyway, thought I'd share my workflow for going from MLVs to ProRes 4444 XQs in Cinelog-C color space, in case anyone out there might be trying to figure out the same thing I was trying to figure out up until now (this is a Mac + MLVFS + AE-workflow, for non-Davinci-users):
>Mount folder containing MLVs with MLVFS
>In AE, use Smart Import 2 to import DNGs + WAVs and make sequences (but uncheck output modules)
>Adjust WB/exposure in ACR for each shot + set camera profile to Cinelog V3.0 (I've set this to be my standard for DNGs)
>Select all sequences created by Smart Import 2 (or the ones you wish to export, anyway), run Batch Processor
>Under the "Apply preset"-tab in Batch Processor, select a preset (that you have to make yourself, obviously) for going from Cinelog V3.0 to Cinelog-C using OpenColorIO
>Select custom output module (that you once again have to have created yourself) for ProRes 4444 XQ (that you can "steal" from a free FCP-trial and use with AE by following the steps that @RedDeerCity outlines in this tut:
>Enjoy super-HQ, easy editible ProRes 4444 XQ-files (that haven't lost a single bit) in delicious Cinelog-C colorspace
Pretty standard, I know, but for a noob it took quite a while to puzzle all the pieces together, so I thought someone out there might enjoy finding a simple, straight-forward recipe.