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Okay, there have been popping up presets for After Effects/Adobe to get flat pictures, import or render them to 10bit and apply luts or whatever. I've also read people complaining about flickering in ACR.To avoid this, I have "created" two a camera profiles which give you a very flat picture style and some desaturation. This is just a test as I'm not an expert but I think it works fine (tried out with the 50d raw video with cdng files). I will look into it again when I have some time. Here are the camera profiles:https://www.dropbox.com/s/sxxj82szbimxn8f/MLfilm%20slight.dcphttps://www.dropbox.com/s/8yhv4qsquaygs3s/MLfilm%20strong.dcpYou have to put them into c:/users/"your username"/AppData/Roaming/Adobe/CameraRaw/CameraProfilesAfterwards they should appear under the camera calibration tab.
Okay, there have been popping up presets for After Effects/Adobe to get flat pictures, import or render them to 10bit and apply luts or whatever. I've also read people complaining about flickering in ACR.So far so good, I remember that on LRtimelapse (nice program) there is a general consens to not use highlight recovery, black , white, shadows,etc... because they are not linear but some "secret sauce" which depends on the scene. This doesn't matter to stills (which it was designed for) but when movement comes into play this can actually generate flicker. It does not always happen, but sometimes you get the flickering.To avoid this, I have "created" two a camera profiles which give you a very flat picture style and some desaturation. This is just a test as I'm not an expert but I think it works fine (tried out with the 50d raw video with cdng files). I will look into it again when I have some time. Here are the camera profiles:https://www.dropbox.com/s/sxxj82szbimxn8f/MLfilm%20slight.dcphttps://www.dropbox.com/s/8yhv4qsquaygs3s/MLfilm%20strong.dcpYou have to put them into c:/users/"your username"/AppData/Roaming/Adobe/CameraRaw/CameraProfilesAfterwards they should appear under the camera calibration tab.
Do these profiles include the 50D's noise patterns and other things ACR has specifically profiled for the camera, or are just flat profiles?
Or is it a good idea to use the embeded 50d profile first (i work with cdng from raw magic) to denoise and sharpen, export in dng and run through camera raw again with your profile and adjust the highlight/shadow areas if needed?
You will have to tell us a little bit more about your noisy footage. Anyway, usually, to avoid noise you will try to expose (changing the shutter speed and aperture) to the maximum, and use the lowest iso you can. This will give you the best you can get in terms of noise. If you are trying to film a concert or anything dark, get another camera.
@DL Watson Apology for missing it somewhere, but which 50mm lens are you using? I have the 50mm EF 1.8 and 50mm fd 1.4
Anyone have suggestions on extra batteries? Mine dies way to fast.
I doubt they will do a vaf filter for the 50D, if you think of it there might be 1000people maximum using the 50d for raw video, and most of them just to try out raw for a few $. I don't think they would sell more than 100 vaf filters.
I've been in direct contact with Mosaic Engineering. In fact, I am sending them a 50D tomorrow so that they can fit and design the new VAF filter!!! This is going to rock!
Hello im new herei have 50d on which i installed ML which is working great ,giving me h264 video but im not getting raw video option.As i searched more i came to knw that there was no modules folder in my ML Folder (on my CF card).So i copied them but still im Not getting M option in my ML option mode Plz Plz help me shamin
