Two questions:
1. I see a decent number of samples on the net of the new feature recorded using Technicolor Cinestyle. Is there a better S-log profile to use with 14-bit raw than Cinestyle, or is a style even necessary with raw? Isn't Cinestyle designed specifically to compress both the shadows and the highlights within the range of exposure that would otherwise be truncated by h264 compression -- and now that we're skipping h264 altogether we can take advantage of that extra space in which to record shadows and highlights? Cinestyle may be compressing the range more than necessary, it may be a waste to use it with raw.
2. There are a bunch of indirect warnings from Canon engineers popping up in this twitter feed (note: Mr. Sutton is not a troll, and is undoubtedly trying to pass along what he deems useful info from the source, so please give him the benefit of the doubt):
https://twitter.com/mns1974/status/334132774132908032I'm skeptical, as I would expect that there'd be safety shutdown procedures in the firmware on the sensor that don't depend on the proper behavior of applications running on the camera's OS, but who knows. I guess we'll all know within a couple of weeks. I've ordered my 1000X 32Gb CF card, and will definitely be shooting some raw in the near future unless peoples' cameras start exploding.
Thanks so much A1ex and all Magic Lantern contributors. As if magic zoom wasn't enough!