Hello Saint!
If you want me to check why the sky was pink, please provide short MLV sample for that clip, you can cut the MLV file inside MLVApp using "Cut In & Cut Out" tab, two frames are enough, then export it into MLV file, set the "Codec" inside "Export Settings" window to "MLV" "Fast Pass", and upload the sample and give me the link.
I
don't have the pink sky issue, a common workarounds for this issue: don't use auto iso, try "Highlights Reconstruction" in "Processing" tab inside MLVApp, try lowering "RAW White Level" in "RAW Correction" tab also inside MLVApp with small steps.
To get continuous RAW recording in normal 1080p mode 3x3 (with no crop), depending on resolution, framerate and what aspect ratio you are using, you may want to use lower bit-depths like 12-bit lossless or 10-bit lossless, the overclock helps too, 192 MHz with Sandisk Extreme PRO UHS-I U3 95 MB/s is pretty good for most modes (~58 to ~61 MB/s Write Speed), Sandisk Extreme PRO UHS-I U3 170 MB/s with 240 MHz is the best (~68 MB/s Write Speed), as described in the first post.
Highlight "RAW video" in "Movie" tab inside ML Settings, you can see the a calculated required write speed in current mode in ML bottom bar, perform benchmarks test for your card in camera in current mode, load "bench.mo" module --> restart the camera --> "Debug" tab --> "Benchmarks" --> "Card Benchmarks" --> Quick R/W benchmark (1 min), you can see how your SD card performs.
If you want to get the best sharp images with 18-55 STM kit lens, you need to use f/5.6 at 18mm, and up to f/8 at 55mm (depending on my own tests), prime lenses are always better, I only have the 50mm 1.8 prime lens, so no much experience with wider focal length prime lenses, you may want to watch YT and see some reviews/advices . . etc.
Sorry for the long answer, glad you liked the build
