Some Hi-res results with the latest build:crop_rec_4k_mlv_snd_raw_only_2022Sep14.EOSM202.zip
Sandisk Extreme Pro 170 MB/s 128GB SD @240 MHz
only lvface hack enabled (as opposed to lvface+aewb)
Shutter fine-tuning set to +0.87ms when using the 2.5k preset (Value changes depending on the preset chosen. It gives roughly 1/48s shutter speed)
Histogram on while recording.
Summary:100GB worth of clips recorded over the course of 1 hour
Only 1 clip was corrupted.
3k (3000x1256, 2.39:1 AR)10bits @23.976fps : 1 minute +
12bits @20fps : 1 Minute +
2.8K (2880x1170 2.39:1 AR)14bits @23.976 : 1 Minute + (But often stops before 1 minute)
12bits @23.976 : 1 Minute +
10bits @23.976 : Continuous (Green / Orange Light)
2.5k (2520x1054 2.39:1 AR)14 bits @23.976: Continuous (Green Light and tolerates some overexposure)
The latest mods added the possibility to record 3k 10 bits @23.976fps, 2.8k 14 bits under controlled conditions; and made the 2.5k mode more robust at 14 bits.
So 2.5k is the recommended mode for moving subjects and situations where the variations in brightness cannot be controlled.
I limited the recordings to about 1 minute for the test, but it is possible to go to 3-4 minutes with proper exposure and
beyond 10 minutes by underexposing the image (But the camera will get above 50 degrees a lot faster).
Follow the method below, but once you are done exposing using the false colors,
drop the exposure so that the histogram reads 2.0 instead of 1.0
Details:In order to get longer recording times, it is very important to properly expose the image.
I usually use the function Danne added a few builds ago to toggle the False Colors on/off with the SET button.
I also enable the histogram (and I leave it on while recording).
The false colors should be mostly Grey shades and Green for the Main Subject, with some bright Orange on the bright parts;
and only hints of yellow here and there for the highlights BUT NEVER ANY DARK ORANGE or RED!!!
Histogram should be between 1.2 and 1.0
Here is a video of a few clips I recorded using this method: https://bit.ly/3eKo5e9I use a variable ND filter on top of a circular polarizer. The polarizer helps taming the highlights so that you can push exposure a little more.
Even when I record 2.8K or 3K, I scale down to 2.5K for editing and export. This gives a finer-grained noise and give you a crisp picture to feed to your favourite 4K upscaler.
I posted pictures of the MLV App screen and one of the Files on disk.
Those who want to verify the actual data rates can have a look at those.
You can also see how the recordings went. For example, because it was a cloudy day, as soon as the sun became brighter while recording, the recording stopped.
If you see a clip of 1 minute or more, it means it was going well (Orange Light) and I stopped it myself.
A clip of less than 1 minute means it stopped by itself.
It is preferable to use a dummy battery and power bank. That way, I only stopped recording for a minute after recording clips for 43 minutes. The temperature was 54 degrees C.
I tried on my second camera which has an LP-E12 battery and it gets to 52 degrees after recording only a few clips.
Thanks to Bilal and Danne, a lot of us will have even more fun
Screenshots:

Recording longer clips: