Computer: MBA (entry model)
CPU: M1
RAM: 8GB
GPU: 7 core
OS: Latest
App: mlv app apple silicon version
https://www.dropbox.com/s/ej6ufca61ijeeyf/MLV.App.v1.13.macOS.arm64.zip?dl=0All default settings
Footage: UHD 1X3 12 bit lossless from 650D
Scene: The same test scene
Codec Optimization
Export to H264 MP4 HQ, ffmpeg, Export time: 15 minutes. Used as the baseline here.
Export to Prores 422 LT, ffmpeg, Export time: 12 minutes.
Export to Prores 422, ffmpeg, Export time: 8 minutes.
Export to Prores 422 HQ, ffmpeg, Export time: 10 minutes.
Export to Prores 4444, ffmpeg, Export time: 18 minutes.
All of the above codecs can be opened by the Blender VSE. If export to Prores 422, it is another two folds improvement. Maybe ProRes 422 is the most widely used and therefore the best optimized and the most mature one.
More:
AVID's codecs:
Export to DNxHD, 10 bit 1080p, frame rate override to 23.976, Export time: 6 minutes.
Export to DNxHR, 444 10 bit, Export time: 12 minutes.
Export to DNxHR, HQX 10 bit, Export time: 7 minutes.
Export to DNxHR, HQ 8 bit, Export time: 8 minutes.
Export to DNxHR, SQ 8 bit, Export time: 8 minutes.
Export to DNxHR, LB 8 bit, Export time: 7 minutes.
All of AVID's codecs can be imported in the Blender VSE.
Seems to me the best workflow for UHD 1x3 is to have camera frame rate override at 23.976 when recording, MLV App on Linux or Mac M1, Export to DNxHD 10 bit 1080p or DNxHR HQX 10 bit or LB 8 bit without even considering frame rate override to 23.976, edit in Blender VSE 3.1. For high resolution cinematic projects, DNxHR 444 10 bit encodes faster than H264 420 8 bit. AVID is the still the king of video editing.
In conclusion, using export codecs of AVID DNxHR HQX 10 bit, increases the encoding speed twice, and improves final image quality to 10 bit 422, comparing to the H264 codec. Apple's ProRes 422 is a good second choice, about 20% slower than the DNxHR HQX 10 bit. In general, AVID's codecs are efficient.
This is what Avid recommended the codecs were suitable for:
DNxHR LB - Low Bandwidth (8-bit 4:2:2) Offline Quality
DNxHR SQ - Standard Quality (8-bit 4:2:2) (suitable for delivery format)
DNxHR HQ - High Quality (8-bit 4:2:2)
DNxHR HQX - High Quality (12-bit 4:2:2) (UHD/4K Broadcast-quality delivery)
DNxHR 444 - Finishing Quality (12-bit 4:4:4) (Cinema-quality delivery)