Blue Krystal - Prequel shot with 5DMk3 RAW

Started by Francis Frenkel, May 17, 2016, 04:48:23 PM

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Francis Frenkel

Hello,

My next movie "Krystal Blue" will be shoot November, 2016.

Then I propose you a prequel of 5 minutes, build like a trailer, which tells the weeks that preceded the beginning of the story of the final movie.
With english subtitles !



Shoot with a Canon 5D Mark3 with Magic Lantern RAW.
Lenses : Dog Schidt Optiks anamorphic x2 : 38mm / 58mm / 88mm  f:3.5

Edit : Sony Vegas Pro 13
Grading : Davinci Resolve 12

Hope you'll like it.

Fran6
Francis Frenkel
www.ffrenkel.com

axelcine

Very, very beautiful. Looking forward  to the real thing.
EOS RP, 5dIII.113/Batt.grip, 5dIII.123, 700d/Batt.Grip/VF4 viewfinder + a truckload of new and older Canon L, Sigma and Tamron glass

Francis Frenkel

Thank you so much Axel !

I did the translation myself... if you noticed errors / mistakes... dont hesitate to tell me !

The movie is still on pre-production (looking for money...).
Spend more time on budget than on shooting...

That's part of the job..

Thank-you again !

And thank you to Magic Lantern RAW !!!!!!!!

Fran6


Francis Frenkel
www.ffrenkel.com

axelcine

Ce petit flick est coupé avec empatie et une plentitude des emotions. Tres, tres bien. Quelle drama... A wonderful way to use one of the world's finest cameras.

And the English translation catches all these emotions very well. You're spot on.
EOS RP, 5dIII.113/Batt.grip, 5dIII.123, 700d/Batt.Grip/VF4 viewfinder + a truckload of new and older Canon L, Sigma and Tamron glass

soundsubs

awesome work!

(make sure you check the English subtitles on there)

I also work with Vegas and I'm curious what your workflow was?
How did you go from .raw files on card to import into Vegas?
Then out of Vegas into Davinci?
Canon 5D iii / 8-15mm, 16-35mm, 50mm 1.2, 85mm 1.2, 135mm, 24-70mm ii, 70-200mm ii

Francis Frenkel

Quote(make sure you check the English subtitles on there)
where ? Here on this forum ? could you show me ?

QuoteI also work with Vegas and I'm curious what your workflow was?
How did you go from .raw files on card to import into Vegas?
Then out of Vegas into Davinci?

0) copy MLraw files on a hard drive in a file
1) I extract Dng with the application "MLVMystic" = Fast and very basic but I dont need more.
2) Import Dng files in Resolve, just make white balance, use Cinelog LUT and Cinelog to rec-709 / export Proxys in Cineform 10 bits
3) Import proxys in Sony Vegas Pro, Edit and export xml to Resolve
4) grading in Resolve => Cinelog Luts, and custom Luts, and export XML back to Sony Vegas Pro
5) Import XML / use effects, transitions, put credits... and edit Master in Cineform 444

Does I answer to your question ?

Francis



Francis Frenkel
www.ffrenkel.com

favvomannen

damn thats epic. really awsome!

how would you go about that workflow if you only had aftereffects? (i only have ae)? :)

Francis Frenkel

Quotehow would you go about that workflow if you only had aftereffects? (i only have ae)?

I dont use AE at all...
I just did the grading on Resolve for un advertising a few days ago, and the editor was working on  AE (Editing / Fx).
We did the same "round trip" between Resolve en AE (like with Vegas Pro)

The only difference is that AE use Premiere to export the XML file.

Francis
Francis Frenkel
www.ffrenkel.com

markodarko

Really nice, Francis. Is there a Twitter account we can follow to keep track of your project?

All the best,

Mark.


Sent from my iPhone using Tapatalk

Francis Frenkel

Thank you so much Mark !

No, sorry, I dont have any Twitter account...

But there's a facebok page (in French) :
https://www.facebook.com/krystalbleuLeFilm/

Francis
Francis Frenkel
www.ffrenkel.com

Francis Frenkel

Here is the teaser of my last Movie "Dont come back from Paradise" also shoot with my 5D Mark3 in MLVRAW !
With English subtitles !



You can access the fullmovie (28 minutes) with English subtitles here :
https://vimeo.com/ondemand/dontcomebackfromparadise

Same workflow :
0) copy MLraw files on a hard drive in a file
1) I extract Dng with the application "MLVMystic" = Fast and very basic but I dont need more.
2) Import Dng files in Resolve, just make white balance, use Cinelog LUT and Cinelog to rec-709 / export Proxys in Cineform 10 bits
3) Import proxys in Sony Vegas Pro, Edit and export xml to Resolve
4) grading in Resolve => Cinelog DCP Luts, and custom Luts, and export XML back to Sony Vegas Pro
5) Import XML / use effects, transitions, put credits... and edit Master in Cineform 444

Hope you will like it.

Francis
Francis Frenkel
www.ffrenkel.com

Francis Frenkel


Seventh "palm" in a international independant movie festival for my last short "Dont come Back from paradise" !

Thank's so much Magic Lantern team, because without you, this dream would not exist !

Manhattan Independent Film Festival
http://www.manhattanindiefilmfestival.com/

Teaser :

Francis Frenkel
www.ffrenkel.com

Kharak

Very nice! The look and cuts are spot on. A real teaser with the essentials to intrique.

Look forward to watching it when it is available, will you release it on vimeo on Demand or something that way in the future.

This seems like the kinda movie i would like, noir, thriller, real
once you go raw you never go back

Francis Frenkel

If you want, I can give you a private acces to the movie, with password.
I will be interested in having you point of view! just a few words.

Francis

Francis Frenkel
www.ffrenkel.com

DeafEyeJedi

Quote from: Francis Frenkel on September 28, 2016, 07:18:42 PM
If you want, I can give you a private acces to the movie, with password.
I will be interested in having you point of view! just a few words.

Francis

+1
5D3.113 | 5D3.123 | EOSM.203 | 7D.203 | 70D.112 | 100D.101 | EOSM2.* | 50D.109

D_Odell

Really nice feeling! Are you director and DOP? Nice in that case!
5D3 [size=6pt](OLPF removed)[/size] :: 1.1.3 :: Canon FD L Serie

Francis Frenkel

Yes, on this short film I'm DOP, director, assistant, gaffeur, driver, cook, script, production manager, assistant production manager, editor, color calibrator........ha ! ha ha !
There's no team... Only my friend Baptiste to help me, and a sound engineer (on 90% of the takes).

Francis
Francis Frenkel
www.ffrenkel.com

dmk

Incredible! I noticed you work with the same actor in several films. Can you share some of what you learned from that experience, like maybe do you find it helps you get the performance you're looking for?