Simply stunning journey - 5D3 ML RAW - 24mm // the train to ollanta

[beauchampy]

Info in the Vimeo description. Any questions, please fire away.

[soundsubs]

GREAT STUFF.

thanks for sharing.

[DeafEyeJedi]

Definitely love the pace of the cuts and 24mm is definitely one of favs of all time.

Love the grade and how the contrast came out -- very well done! Did you use Cinelog-C at all?

Which brand lens do you own that you used on this one?

Thanks for sharing @beauchampy!

[beauchampy]

Definitely love the pace of the cuts and 24mm is definitely one of favs of all time.

Love the grade and how the contrast came out -- very well done! Did you use Cinelog-C at all?

Which brand lens do you own that you used on this one?

Thanks for sharing @beauchampy!

Thanks! I didn't end up using cinelog on this one. I was experimenting using the BMD film profiles for 5d raw directly inside Film Convert. A few extra nodes for some minor correction and that's about all that went into it.

Glass was actually a zoom, although I would love a 24mm prime. Canon 24-70 2.8 II

[DeafEyeJedi]

Good stuff to know! Surprised to see almost no distortion at 24mm even w your zoom. Thanks for sharing again and I have an old AF Nikkor 24mm f/2.8D (not exactly a prime) but it works well with an adapter to use on Canons... [emoji3]

In the train shoot up above -- how much did you close the Iris down to maintain the sharpness as well as infinity?

[beauchampy]

Hey man, it was anywhere between f8 and f11

[Danialdaneshmand]

I really enjoyed watching it, Awesome Work!

[Canon eos m]

Good work. Hope to see more from you!

[DanHaag]

That looks stunning indeed! Which FilmConvert settings did you end up with?

[beauchampy]

That looks stunning indeed! Which FilmConvert settings did you end up with?

It was on the 5d III BMD profile, FJ8543 VD with the curve and colour set to 100%. I didn't change any other settings. Additional correction was done on further nodes just to lift the shadows out a little more (they were very dark to begin with).

[theartofweb]

Could be that on some shoots the lens does not seem to be focused on infinity (moments before the tunnel)?

Do you think with a wide lens like that the DoF will stay almost the same no matter the aperture?

That means I might be better off NDing the lens to capitalize on its sweetest spot (around f/5.6) instead of stopping it down adn get diffraction.

[beauchampy]

Could be that on some shoots the lens does not seem to be focused on infinity (moments before the tunnel)?

Do you think with a wide lens like that the DoF will stay almost the same no matter the aperture?

That means I might be better off NDing the lens to capitalize on its sweetest spot (around f/5.6) instead of stopping it down adn get diffraction.

I think at 24mm almost everything will be in focus at 5,6. You're right about that. To be honest with you, at f8-14 this lens is still sharp as hell. I didn't have an ND with me that would cover an 82mm thread. Anyway, I try not to get caught up in these quite minor technicalities too much.. Was too busy making sure I captured the moment while I had it.

[KelvinK]

really great! simplicity of this video makes it really cool. very good stabilized tho. thanks for sharing

[cmccullum]

Very nice work indeed! This might seem like a silly question, but how did you get on the front of the train...?

[nikki]

where is the vimeo link?

[axelcine]

Excellent. What's the music? All too often we forget to tell about our musical choices.

[beauchampy]

Very nice work indeed! This might seem like a silly question, but how did you get on the front of the train...?

The vistadome train has two seats right at the front of the train. The driver is in a tiny little cabin to the right of these two seats!

where is the vimeo link?

Not a valid vimeo URL

Excellent. What's the music? All too often we forget to tell about our musical choices.

Music is credited on Vimeo, however it is Cinematic Orchestra - Arrival of the Birds