@chmee.
yes fast read speeds (i have a raid system) are very useful for working with raw video. the write speed doesn´t matter, cause when delivering a video or playback a sequence, the limiting factors are gpu and cpu. and i have trained myself to cut before denoising and cc.
what i do not understand is, why do so less people download that tool... i think the problem is that they simply are afraid of a complicated workflow. all i can say to all the magic lantern users out there.. just try that program, the workflow is sooo simple and soo fast! the best program out there..
what i do not understand when working with resolve is that how do you handle the mounting points? do you apply the service at the main video folder where all the different directories with the mlv video files are placed into or do you apply more than one mlvfs service (one for every project, or one for every scene?) i think when this mystey is solved mlvfs will probably my solution with no proir conversion. so far i always copy the files out of the mounting point to a dedicated directory. - i like to be on the safe side..
@dmilligan
why are there 2 different naming schemes? isn´t it possible to work with resolve naming scheme in ae or premiere?
I have a scene of the moon (will update this post with the link to dngs as soon as possilbe).. there are 3 white pixels which are bad or hot or whatever pixels.. with option 1 (Bad Pixel Handling) they simply do not go away.. but it is a black scene and the pixel is white..
when i use agressive Bad pixel handling the pixels go away but the moon surface gets really strange.. the algo destroys the moon surface.. so is it possible to adjust the threshold a bit? perhaps with my delivere dng..?
All in All Thank You for you HARD WORK!!
I LOVE THIS TOOL SO MUCH! Everything is working so fine now (except ChromaSmoothing and Bad Pixel handling)
Now MLV is a breeze to work with.
@TO ALL PEOPLE ->
https://bitbucket.org/dmilligan/mlvfs/downloads AND TRY THAT TOOL.. ITS AWESOME!