OK, I'm actually very confused... just to compare, I opened up one of my DNGs and it inherently looked much better than what I was getting for starters in resolve (both via Resolve's native CinemaDNG and using Cinelog)
Here is the ACR, set white balance to 6500 and tint = 0

Here is the Resolve, set white balance to 6500 and tint = 0 (and BMD Film 4K)
LUT #1 = [INPUT] BMD Film 4K -> Cinelog-C
LUT #2 = [MONITOR] Cinelog-C -> Rec 409

To my eye, it's not a matter of just bumping the exposure, when I do that the Resolve one doesn't look as good as the Adobe
So back at square 1, recut the film in Adobe? Aye... what's even the best process for that to utilize ACR, assuming disk space isn't an issue? Grade in After Effects with Synthetic Aperture?
EDIT: And just for fun, here's a DNG from around the same timestamp exported with same basic settings direct from Premiere... yet another difference!
