skintones better than any of the new cams
Etiquette, expectations, entitlement...
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Show posts MenuQuote from: underwaterhors on July 07, 2014, 01:23:31 PM
Managed to tag along to the first proper photography shoot of Dubai Police's Bugatti Veyron with a mini jib and a 5d3. All recorded in raw and in 110 plus degree heat!!
http://www.youtube.com/watch?v=j8opuFt9kFU&list=UUNzi1OU-Wid9ziVUxosVa0A
Quote from: reddeercity on July 07, 2014, 08:47:01 AM
I use A.E. cc with the ACR to make this files with Apple ProRes 4444XQ then edit in FCPX, not sure about the native WB for raw as I adjust WB in A.E.
I really notice the difference in Grading with noisy images there no clipping from the source like normal prores4444 in the rec709 color space.
ProRes4444XQ is linear So there is a lot of bandwidth to play with.
Quote from: budafilms on July 03, 2014, 09:25:16 AM
As you know 14 bits RAW it's huge.
I work sometimes with Alexa and Red for commercials - not movies - , and very, very expensive lenses. Except the dynamic range - very similar as DUAL ISO with less noise in the blacks - 5D Mark III it's incredible. Compared with the new boys as Gh4 and his 4K, Sony X7, they are no better! I think 5D mark III Owners have a camera for two or more years with out missing quality.
Alexa Commercial with lenses and light! https://www.youtube.com/watch?v=yca53P37boo
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