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Messages - nikki

#101
skintones better than any of the new cams
#102
where's the surfing shots??
#103
nice..but for the feature...try to shoot on film  super 16mm..
#104
Share Your Videos / Re: t2i ML from above
October 25, 2014, 08:52:01 PM
great stuff...you don't need detail for cinema...??  just a great a look and shots...
what was your workflow..??
#105
what was your workflow?

how fast was the turnaround?
#107
workflow?
#108
Share Your Videos / Re: Twenty Nine seconds of Milkyway
October 20, 2014, 08:15:04 PM
workflow?
#109
workflow for post??   and recommend ??
#110
workflow?
#111
Share Your Videos / Re: Fashion film shot on ML, 5dmkiii
September 22, 2014, 02:28:32 PM
workflow?
#112
General Chat / Re: 5D3 RAW in a 12-camera shootout
August 25, 2014, 02:16:13 PM
that's a lot of cameras...only thing missing is 35mm kodak
#113
is there any more tests 4k photo vs raw
#114
did you have rig?
just using the IS..on the lens
#115
Quote from: underwaterhors on July 07, 2014, 01:23:31 PM
Managed to tag along to the first proper photography shoot of Dubai Police's Bugatti Veyron with a mini jib and a 5d3. All recorded in raw and in 110 plus degree heat!!

http://www.youtube.com/watch?v=j8opuFt9kFU&list=UUNzi1OU-Wid9ziVUxosVa0A

did you use a monitor?   (with the 1.2.3. build)
#116
Raw Video Postprocessing / Re: ProRes 4444 XQ
July 07, 2014, 01:32:37 PM
Quote from: reddeercity on July 07, 2014, 08:47:01 AM
I use A.E. cc with the ACR to make this files with Apple ProRes 4444XQ then edit in FCPX, not sure about the native WB for raw as I adjust WB in A.E.
I really notice the difference in Grading with noisy images there no clipping from the source like normal prores4444 in the rec709 color space. 
ProRes4444XQ is linear So there is a lot of bandwidth to play with.   

so you can use ml raw with 444xq...can you guide us through?
I don't have A.E....(is there a way to just use fcp??)
#117
Quote from: budafilms on July 03, 2014, 09:25:16 AM
As you know 14 bits RAW it's huge.
I work sometimes with Alexa and Red for commercials - not movies - , and very, very expensive lenses. Except the dynamic range - very similar as DUAL ISO with less noise in the blacks - 5D Mark III it's incredible. Compared with the new boys as Gh4 and his 4K, Sony X7, they are no better! I think 5D mark III Owners have a camera for two or more years with out missing quality.

Alexa Commercial with lenses and light! https://www.youtube.com/watch?v=yca53P37boo

i have a project coming up where I can use my 5dm3 or a red one mx...(since I haven't shot on the red mx) which one do you think is better for a feature project??   
#118
underwater housing?
#119
how was the post work done?
how did you do the underwater shots?
#120
what was your workflow?
#121
did you use a vaf?
#122
would you lose some of the color using a vaf











#123
very relaxing    they should play this everywhere
#124
which build did you use?
#125
did you use a vaf filter?