I know this is an old topic, but I've been trying several workflows, and this one was very interesting and simple. Working around this workflow I found something interesting.
I like this workflow because I consider Lightroom a very powerful tool to work with raw images, and it has a lot of options regarding color. But my problem was that the final JPG files, even though they were in the highest quality, remained to be 8 bit.
So, after some tries, I found this:
Follow the same workflow, once you have edited your sequence, instead of replacing the low res JPGs with HQ JPGs, export from Lightroom a PSD sequence in 16 bits. Then unlink the low red JPGs in Premiere, and re-link to the PSD.
Happily export to Pro res 4444 @ 16 bits.
This workflow has one more step than the previous one, but still I find it interesting to color correct in LR. You can still go back and forth from Premiere and LR.
I like this workflow because I consider Lightroom a very powerful tool to work with raw images, and it has a lot of options regarding color. But my problem was that the final JPG files, even though they were in the highest quality, remained to be 8 bit.
So, after some tries, I found this:
Follow the same workflow, once you have edited your sequence, instead of replacing the low res JPGs with HQ JPGs, export from Lightroom a PSD sequence in 16 bits. Then unlink the low red JPGs in Premiere, and re-link to the PSD.
Happily export to Pro res 4444 @ 16 bits.
This workflow has one more step than the previous one, but still I find it interesting to color correct in LR. You can still go back and forth from Premiere and LR.