Quote from: reddeercity on January 18, 2017, 01:52:23 AM
Will first off FCPX dose not know how to handle Camera Raw DNG/Cdng's image file they all defaults to sRGB Limited color space ! (no raw here , more like a tiff or png)
That being said , did you change the DNG/Cdng Color Space in the Setting tab ? There 4 if I remember right , sRGB , Rec709 , Adobe RGB , BT601
You have to select all dng's and adjust. That will affect WB , So when you change the dng to tiff why are you not importing to Apple Compressor and rendering out to Apple ProRes 4444XQ ?
Unless you don't have it .
The biggest problem with fcpx and image sequence's is that it doesn't handle sequentially numbered files(image) in large quantity very good at all.
Even after you made the compound clip , the order will be mixed up . At the moment the best way to handle image sequence's
file is to make 10bit DPX and use the AJA translator to import as a references movie (.mov file) or A.E. ACR to ProRes4444XQ not ProRes4444
because 4444 is HD/Rec709 and XQ is Full Range/Film .
FYI I archive my MLV raw to Flat/Log ProRes4444XQ.
My 2 cents
Quote from: dmilligan on January 17, 2017, 11:17:46 PM
You have to use MLV format to get WB metadata. Then you need to use a converter that supports it (MLVFS or raw2cdng are the ones I'm aware of that handle WB, and maybe MLVProducer, not sure).
You guys are awesome! Downloaded MLVFS + Davinci Resolve, everything looks as per shot now! Lots to learn!
Thank you!