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Hello, i've got a problem, my workflow was working great but last time when i shot footage i got this:https://drive.google.com/open?id=0B5gaSfIj90PwNU9VbHBJRDc5RHc

I always used raw2cdng, but my DNG came out files are all greenish, please help me, because i got a shot a music video in a couple of days.

5D MARK 3 (1.2.3)

Hello, i'm bit confused about my workflow:

Shot some Raw footage, RAW to DNG, then in AE used ACR to correct my footage - exported as DNxHD 444 10 bit.

So what i am looking for is nondestructive workflow, for example i edited my DNxHD in PP then opened this project in AE to do some FX, then i want to move to SpeedGrade to do final grading.
MY questions are:

1)Is there any quality loss while i'm exporting from AE and SG? (i mean i converted DNG to DNxHD for editing in PP and then again when i finished my FX in AE and then i will be exporting my project from SpeedGrade)

2) I've read that its better to do final render from AE and SG but not PP since its max output is 10 bit while AE and SG supports 16 and 32 bit depth but does it really matter since i am working with DNxHD 444 10 bit codec and not DNG?

My specs are:
Windows 7 x64
PP/AE/SG - CC 2014

Hello, i've got a problem, i tried to export in AE with DNxHD 444 10bit codec/ depth-trillions of color
And got this


Win 7x64
AE CC 2014 (13.2.0)
Avid LE 234

   
I made a several threads in adobe and avid forums but no one seems to care

Greetings, i got a problem:
So i created a dynamic link between those two apps and by default AE making a composition with 8bpc, 16 bpc is what i need, i know AE at very basic level and i'm using it only as grading tool, when i create another composition with 16 bpc my dynamic link, obviously, fails.

I can change to 16 bpc in render queue but i've read that it's somehow not the same thing and i need a 16 bpc in project setting.
Is it true?

Fellas i really need help, and i reading this forum about 3 month but didn't find a similar thread.