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Graduate film shot with Zeiss Super Speeds on S16mm Kodak Vision 3 250D & 200T along with some marco shots on a 5D mkIII with ML Raw. It was made about two years ago but has been going through festivals until now.

This is a short fashion film that a few friends and I made recently for a graduate of the National College of Art & Design in Dublin, Ireland.

It was a non-commercial gig that we did with no money by calling in some favors. We filmed in two different locations, one in Dublin and another in Tullamore over the course of one day. A lot of the shots are available light with diff or bounce. The opening sequence in the science lab was lit with a couple of redheads and daylight. Small LED lights were used in places. It was mainly shot on Samyang Cine lenses 35mm & 85mm and a Canon 50mm f1.4.

Everything was shot raw either in 1080p 25fps or 50fps at a lower res. ProRes files were made in Resolve using the cinelog lut. The edit and grade was handled by the director. The original plan was to relink and for me to grade in Resolve but I moved to NYC recently so the director working from the ProRes files was the easiest solution.

Thanks for watching, some other stuff shot on everything from 16mm film to Red can be seen on my site: www.richardtwomey.com

Hi,

I have been using the ML raw hack for a while on my mkIII without issue. On a recent shoot a number of shots came back with one frame being squashed with a pink and black bar on the edge. As in attached image. I was using a nightly build from a few days ago.

It's not a post issue as I can see the same problem when I play the file in Clip House.

Does anyone know why this happens and if there's any trick to salvaging this shot?