Mike Amabile For Mayor
Shot on 5D Mark ii raw using 85mm F1.8 prime, Tokina 11-16mm (at 16mm), and Canon 70-200mm F2.8 lenses.
Shot on 5D Mark ii raw using 85mm F1.8 prime, Tokina 11-16mm (at 16mm), and Canon 70-200mm F2.8 lenses.
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Share Your Videos / 5D Mark ii RAW with some VFX Shots- Bethany Christian Services
May 14, 2014, 11:22:06 PM
Hi all,
here is a video I shot and edited for an adoption agency called Bethany Christian Services. Almost everything shot with a Canon 5D Mark ii, interviews shot norma Canon h.264, but almost all B-roll shot using ML RAW 1600x900. In the shots in the first 30 seconds where the children on the swings disappear that was shot RAW in front of blue screen.
I love the ability to shoot raw - great stuff ML team - thank you!
Matt Martin
MVP Media
mvp-media.net
here is a video I shot and edited for an adoption agency called Bethany Christian Services. Almost everything shot with a Canon 5D Mark ii, interviews shot norma Canon h.264, but almost all B-roll shot using ML RAW 1600x900. In the shots in the first 30 seconds where the children on the swings disappear that was shot RAW in front of blue screen.
I love the ability to shoot raw - great stuff ML team - thank you!
Matt Martin
MVP Media
mvp-media.net
#4
Share Your Videos / El Tigre - Green Screen chroma key shot with Canon 600D T3i raw 960x500
May 28, 2013, 06:30:43 AM #5
Share Your Videos / 600D raw lit interview footage - both causcasian and African-American skin tones
May 23, 2013, 06:42:13 PM
Hi all, here' are a couple interview clips shot in 960x500 raw on the 600D T3i:
This second one with Randy I underexposed by accident - it's taking me a while to get used to the difference when you shoot in raw. Learning to use the raw histogram has been good. It seems like if I light for what is a good exposure when shooting h264 I get a dark shot in raw and have to boost it up in post and introduce noise. I'm learning to "expose to the right" when shooting raw.
Both clips shot with Canon EF 28mm prime lens at F1.8, key light is Kino Flo Diva 400 fluorescent light, fill is provided by a reflector, parts of the background lit with a Zylight Z90 LED light.
This second one with Randy I underexposed by accident - it's taking me a while to get used to the difference when you shoot in raw. Learning to use the raw histogram has been good. It seems like if I light for what is a good exposure when shooting h264 I get a dark shot in raw and have to boost it up in post and introduce noise. I'm learning to "expose to the right" when shooting raw.
Both clips shot with Canon EF 28mm prime lens at F1.8, key light is Kino Flo Diva 400 fluorescent light, fill is provided by a reflector, parts of the background lit with a Zylight Z90 LED light.
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