Okay - I'm sorry if this has been posted but I don't really understand why we moved away from RAW files (MK2) that worked in premiere to the new MLV filetype which requires a new plugin or much laborious processing of files - As such I've got a watermarked version of Drastic Media Reactor which I'll purchase when I get it working correctly. The MLV system seems poor compared to the old system.
Here is the problem - the footage is coming into premiere very dull and washed out - grading seems tricky to get it back looking as good as it looked in the camera screen. The few LUT's I've tried through Lumetri seem to blow out the image in weird and unpredictable ways.
Is there any simple way to get the footage looking like it does on the camera screen inside premiere please? A single LUT?
Here is the problem - the footage is coming into premiere very dull and washed out - grading seems tricky to get it back looking as good as it looked in the camera screen. The few LUT's I've tried through Lumetri seem to blow out the image in weird and unpredictable ways.
Is there any simple way to get the footage looking like it does on the camera screen inside premiere please? A single LUT?