Topics

has anyone tested if the new premiere pro 8.0 has some sort of ML raw native support?

i'm updating my cinematography reel, last one was this one:

https://vimeo.com/75611236

do you have any suggestions on doing something unique in order to get attention and/or get more jobs because of my reel? don't tell me good shots, i mean something with the montague/editing/music/etc...


cheers

does any one know why cant i import dng sequences made from raw2cdng in after effects cc? everytime i try to import sequence this thing appears:

https://www.dropbox.com/s/d1yai5hp21vgy9t/Screenshot%202014-04-03%2001.23.22.png

altough i can import individual frames but for some reason if a do that acr does not appear and it looks like this:

https://www.dropbox.com/s/xeik7qyv71tm1c7/Screenshot%202014-04-03%2001.26.03.png


if i open the same dng in photoshop it opens in acr, so i think its probably a bad setting i have in after effect. any help would be much aprecciated.


cheers

Hi, i'm using resolve for windows to process my raw files, since i cannot export to apple pro res i like exporting to cineform, but cineform has many options that are not quite self explainable by their title, so my question is, what's the difference beetwen these cineform codecs?:

quicktime cineform RGB 16b
quicktime cineform YUV 10b

AVI cineform YUV 10b
AVI YUV 422 8b
AVI YUV 422 10b
AVI RGB 10b

wich one will mantain the most data of my raw files for further coloring?



thx in advance

cheers

done witha 5d mark iii and rokinon glass

can someone explain to me what chroma smoothing option does in raw video postprocessing? whats the diference between none, 2x2, 3x3, etc... does it have the same effect for all the cameras, what's the recommended setting for the 5d mark iii shots?

sorry but i coudn't find any post regarding this concerns, i think the search function in this forum kind of sucks.


cheers.

https://vimeo.com/86383164
passsword: padlock

in most of the wherehouse shots i have a few blown out pixels, you can see them clearly at the 00:26 shot, i've tried normal raw2dng, and escho raw2dng but none of them seem to remove the blown out pixels, how can i remove them? any ideas?

note: final color correction is done in resolve 10.

hey guys, i'm planning to visit Hong Kong in a couple of weeks and i'm interested in buying a cf card that can sustain 1080 30p raw recording in my mark iii, can anyone give me any advise on a particular card and/or any place in Hong Kong to look for this?

hey, i got a 10.2 gb .RAW file that i cannot convert to dng with latest raw2dng.exe, i have no clue why, i already tried running it with admin rights but got no luck, any suggestions?

I need some help plz.

I shot RAW, I made my proxies in RAWanizer, i made the dngs in BATCHelor, i made my cut with the proxies (and some gopro footage) in premiere pro cs6, so my next step was exporting xml from premiere, then import it in resolve in the conform page (i already had all my files in the media pool) the problem was that all my clips were wrong, they were showing other clips, i moved some settings in the project setting conform section and it didn't even import most of the clips, so i tried to manually conform each individual clip, wich i was succesfull but the timecode was messed up, all the clips started right from frame 1. I dunno what to do, i really want to color grade in resolove my dngs! maybe its a premiere problem when i export the xml or maybe its something wrong im doing in resolve.

BTW most of my raw footage was shot at 48 fps and had a 50% speed change in premiere; my project in premiere is in 2fps.

Any help would be much apreciated. Thx.

Hi, anyone has some advice for the best way of formatting CF cards in windows so i can take full advantage of write speed for raw rec?