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thanks

i have recorded it on a CF Card.

Global Draw was on.



have to check the linked thread next...

Hi my friends, i have uploded a very short file which i recorded today.
on several footages i have this flickering ... does anybody knows who overcome this ?


https://vimeo.com/137834732

recorded in raw : 1920 x 818  (2,35:1) on a Scandisk 128GB with 160m/s - 5diii

converted with mlvfs to aftereffects

all the best,
michael

i´m sending a pm not going offtopic....

thx for answer... sorry for running offtopic...

everything wokrs perfect , THX !

like it!


by the way... i see or hear often that people use commercial music for their projects.

is this okay or is it possible to get problems?

Hi,

i like this cinematic crop and want to ask you how you prepare your shoot for this ratio.

I set the ratio in magic lantern to 1920 horizontal and 2.35:1 crop - thats my starting point

ML gives me a good preview with the 2.35:1 crop. 

But when i start filming i always see the full liveview of my 5diii ... not the crop. can i disable that?

best michael

Kodak Ektar ;-)   i love this film using with my chamonix largeformat 4x5" 

hi jackmoro, great video: like the colors, the story and the editing !!!

i´m also interessted in more detail which lut you use and if you do an extended color grading after assigning a lut ?

some clips seams filmed by handheld. which stabilizer you use in postproduction?

best regards, michael

i like it very much... like the cuts, the colors and the mood...great

handheld....?
did you use a stabilyzer in postproduction?
even i´m not old but such a relaxed hand would be my dream ;-)

thank you so much for your help ... i have learned so much in the last days ;-) great!

but actually i´m desperate because i cannot load the cinelog cameraprofile in acr. i have donw all the steps with the right files coping into hd-libary-application support-adobe-cameraraw-cameraprofiles-camera-5diii

but i just see (9.1.1)

Screenshot 2015-08-16 19.16.54 by gm fotografie, auf Flickr


@andy thank you for your tipps... in this clip the sun directly shines into the sensor ... i wanted to do such test.
by the way:i will follow your recomendations with the gray card; thx

thank you so much for your great help; you can use the footage ...no problem.

i will have a try on another clip which i record at the same day... once more with the sun into the sensor ;-)

https://www.dropbox.com/s/t0hooyur8kfxiht/M13-0656.MLV?dl=0

after convertingi get the dng files in the specified folder.
my browser then opens and gives me a error message ... localhost:8000 -> could not opend.

using osx system

andy thank you so much for your detailed answer!
also thanks to DeafEyeJedi

i use now mlvfs but there is still no cinelog-profile for starting the workflow correctly:

Screenshot 2015-08-15 21.44.46 by gm fotografie, auf Flickr

Hi,

can anyone tells me why i don´t see the correct cameraprofil in ACR after opening a cinemadng file
I have converted the mlv files (5diii) with rawmagic.

always tells me : camera profil = embedded

but i want to choose -5dii cinelog-

maybe this doesn´t matter because in aftereffects i can chaoose it as an input source ?

Screenshot 2015-08-15 18.02.49 by gm fotografie, auf Flickr


best michael

so i upload this footage after new converting it with the actual MagicRaw App to CinemaDNG

feel free to download the footage files ( maybe you wait some minutes as it is uploaded to dropbox)
https://www.dropbox.com/sh/ao44r87dts46y0z/AAAE6Sw4v2Civ2hCpC4Nwqzka?dl=0


by the way i have done the workflow again with a great result:
- magicraw to cinemadng
- via bridge selecting the first cinemadng files form the footage and editing it in camera raw
- synchronizing all files and safe them as a tiff file as a sequenze
- open it in premiere and i got a first great result


but the workflow with davinci is much faster i think so ...

So, i actually convert the MLV Files via RAWMagic once more and let you know soon...

thank you !

here is one dng file ...if you need more... contact me ; thx!
https://www.dropbox.com/s/kd6ps5dtu2tvwb6/M13-0656_C0000_00000.dng?dl=0


ps sorry but where can i find  @Andy600's Cinelog-C ;-)

these colors...  great film!

The first three pictures are Screenshots after importing the RAw Files into the programs

4th, 5th, and 6th are with a "fast" correction...
(ACR is only an example for me that there is information in the highlights)

With DaVinci i can easily get this information while in premiere this information is gone.
i don´t know a workflow to get this information. even with highlights shadow corrections or the lumicurce...see last screenshot



PREMIERE_IMPORT by gm fotografie, auf Flickr

ACR_IMPORT by gm fotografie, auf Flickr

DaVinci_Import by gm fotografie, auf Flickr


ACR_Correction by gm fotografie, auf Flickr


DaVinci_Clip_BMD_HR by gm fotografie, auf Flickr

Premiere _Highlight-Shadows by gm fotografie, auf Flickr

@ DeafEyeJedi
you are right but the clip in premiere after importing is completely blown out.... i have tried to manage it but no chance.

this workflow gives me great results ;-)  ( with higlight recovery button activated)

http://nofilmschool.com/2013/06/hunter-hampton-richards-5d-markiii-resolve-alexa-lut

premiere

Screenshot 2015-08-13 21.13.15 by gm fotografie, auf Flickr


camera raw
Screenshot 2015-08-13 21.13.24 by gm fotografie, auf Flickr

thanks i´ve tried this too but the picture in premiere also don´t look like when i´m opening it in acr (- all the controllers in zero position)
(by the way in acr i have this great lighting controller).