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Messages - iunknown

#1
And this is a system with a ssd drive, i7-3770k and 16 gb of ram.
#2
some more notes, the 32 bit version of rawtherapee can handle a folder with about 3,200 dng's.  Otherwise it hangs on opening.  The 64 bit is less, but still experimenting.
#3
Wow, thanks so much for that Levas.  I would have never figured that out.  So far its working.
#4
This is exporting 16 bit tiff's.  Maybe I should be exporting jpeg's?
#5
How is everyone doing exports to tiff's?  The program keeps hanging.
#6
General Help Q&A / Re: common top 2.35:1
April 29, 2014, 01:35:04 AM
Its a 5d mark III.  The problem I'm having is the current crop marks are centered.  I deliver a documentary edit of the ceremony and reception in 16x9, and a feature film in cinemescope.  The problem is that I frame everything for cinemescope and I get too much head room when I cut the documentary edit.  If the crop is on the top, then it will always be framed correctly no matter if you deliver 2.35 or 16x9.  You just shift the image down in post.
#7
General Help Q&A / common top 2.35:1
April 28, 2014, 01:08:23 AM
Any one have a custom cropmark file to shoot 2.35:1 but with cinemescope shifted to the top of the frame rather than center so that you can output in both cinemescope and 16x9?
#9
Quote from: ubejavshiy on August 19, 2013, 04:56:23 PM
Hi, I found a solution

It is a problem with 64 bit.

You need move your app's files  from "Program Files (x86)" to "Program Files" after installation or install it in this folder.

Windows 8 (64 bit) - it's work!

Thanks! This worked!
#10
DFM,
Will you be able to open dng files from premier and have access to adobe camera raw to grade?  Or would you still need to take them into after effects?
#11
And resolve is hard to beat.
#12
Here are my test.  This was shot in manual modes with no auto settings or ettr settings on.  The exposure shift is happening without any shadow/highlight or any post effects applied.  Rawanizer is causing the exposure shifts.

-If I export using raw2cdng, it does not cause the exposure shifts.  But aliasing is more prevalant than Alex's updated raw2dng.  And I suck at bringing back highlights using the qualifier controls in resolve to bring back highlights compared to lightroom/acr.

-Exporting using latest raw2dng and creating a DNxHD in rawanizer causes exposure shifts, image looks great otherwise.

-If I bring in those same dng's into after effects and export, it looks fine.

First clip is video file out of rawanizer, second is out of after effects cs6.




I guess if you want to apply heavy shadow/highlight effects use AE CS6, or render out to prores 444 and apply the effects to the exported file.
#13
Why not take it into resolve, an app that was designed for motion?
#14
Canon cameras normally apply in camera noise reduction to your video files.  You therefore have to do it in post.  Look at dark energy, you will get better low light results than the original h264, using raw.
#15
Works on windows 7.
#16

Great find peoplemerge.  Thanks so much for all the hard work you guys!

For everyone else, discription of the problem (reelno variable missing) at timestamp 7:11.
#17
Yeah, tested, same issue, duplicate clips on the xml import into resolve.  Thanks for the effort chmee.
#18
peoplemerge, artyg,
Yeah, your right, its not relinking the files correctly when importing the xml back into resolve.

Chmee,
Just tried it with version 1.1.7, and same thing.  I have no idea how resolve knows to point back to the original raw files with the black magic footage (when selecting "Automatically import source clips into media pool." )

Here is the naming for BMCC footage raw folders:
Greg Fiske_1_2013-02-15_1422_C0000
and the default name resolve gives to proxies:
V1-0001_Greg Fiske_1_2013-02-15_1422_C0000_1241904

cinemadng raw folder:
CDNG16_M091158U
and default name resolve gives to proxies:
V1-0002_M091158U000000


Chmee,
What is the variable "_1241904" added to the end of the proxie names on the bmcc files?  It is the one thing that is different with the two xml files.  The cinemadng comes up as zero, but the cinemadng xml has this:

<frame>1241904</frame>


Here are the xml files:

bmcc xml
https://docs.google.com/file/d/0B-cS4Mdd09ShYkd0YXg5c2dTT0k/edit?usp=sharing

cinemadng xml
https://docs.google.com/file/d/0B-cS4Mdd09ShR3JTTzVJMFNvVXc/edit?usp=sharing
#19
artyg/zach915m,
Where exactly does it get tripped up?

workflow:
import all the files into resolve
export proxies
create timeline in premier, edit and export xml
import xml into resolve
deselecting "Automatically import source clips into media pool."

Make sure you save the original project in resolve so that all the original clips are in the media pool.
#20
That works Chmee!!  This is awesome!  Here is the workflow:

http://www.hurlbutvisuals.com/blog/2013/04/blackmagic-camera-post-workflow/
#21
noisyboy,
How are you getting the dng's to line up with the cut proxy files?  For example, I have a video file and I cut it in half, delete the first half, and then open the second half in after effects.  When I import the dng's, it imports the first frame, which doesn't match the second half of the video. 

So should editing be the last step?  Or is there some way to get the correct dng's to load on a clipped video? (which would be nice because you wouldn't load footage you don't need.)
#22
chmee, incredible work. Jakobmen, I don't think its a file naming issue.  I get a "does not support image sequence" error exporting an xml out of resolve.  It doesn't do this with cinema dng's from the black magic camera.

I guess resolve 10 will be out soon, and looks like we'll have enough tools to cut in resolve, rather then round-tripping to premier.  So raw2cdng might be the easiest workflow in the long run.
#23
on a 5d mark 2 you are using fat32 so the files are split up.  You need to manually combine them using the command:
copy /b fileone.raw filetwo.00 outputfile.raw

you can search the forum/google for utilities that can batch combine the files.  Once they are combined you just drag them to the raw2dng.exe file you downloaded.
#24
QuoteHello!
Any advice would be greatly appreciated..
The software has created the files fantastically quickly - both .avi and .mov versions
But both Resolve and Adobe AE and Premiere die right after they open the file.. I can see the first frame and software dies.
Both Resolve and Adobe die in the same way.. so looks like codec issue. I have updated Quicktime tothe latest, reinstalled Go Pro cineform studio.. nothing helps..

Any ideas what could it be?
Win 7 x 64
Thanks

Same issue here.