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I had similar issue , and I delete all 1 kb files and leave only normal size, and then mlrawviewer opened video normaly, or some clips work normaly and then in some point have error usually in end

https://www.youtube.com/watch?v=7h4FpLBcssA

Shot on 5D3, Sandisk Extreme PRO 32 GB, raw_rec, 50fps 1920x508 stretched to 1920x818 (2.35:1)

just turn the dial out of video mode then back in

Just press MENU and back to live view

Progress , thank you Guys for doing this ! 1280x512(2.50:1) - 24fps - 7sec , 1344x538(2.50:1) - 24 fps - 5 sec , 1344(3:1) 24fps - 9 sec, 1280(3:1) 24fps - 13 sec

,ADATA 32GB Class 10 Max write it can give me is 16.8 MB/S , ML_550D_June_20_2013_Update01

Just Imagined what if Camera could have around 2 gb or 4 gb buffer size , and then doesn't metter what card we have just record until the limit in desired resolution and fps and , wait until it gets on card !

how real is buffer stratch ? and if canon will do it , how high will grow price of the same 550d like camera?

Here is another Test video i did last Weekend in Copenhagen Denmark.

http://550draw.blogspot.de/

Which build you use?
And What SD card ?
Also Interesting , moire is in very usable range, which lens you use?

Yes , I agree in this case , this was quick comparison, usually when I work with H.264 I have always acceptable results , with little bit more thinking process in it ! and Scale of RAW is too small to beat H.264 at this moment on 550D

Used This build!

This is the build with Tragic-Lanterns more res option Raw Rec module:
http://www.mediafire.com/download/96zgrdjaubamjuh/ML_Fileman_Raw_Tragic.zip

CANON 550D, Kit 18-55 (at 18mm and high F-stop to keep slow shutter) - Lens may cause an extra artifacts ( on 720p h.264 i'ts usually has more moire then 50mm f1.8

ISO - 100, shutter 1/30 for H.264 AND 1/20 with fps override for RAW

Card: ADATA 32gb Class 10 (ML shows 15-17 MB/S when records this resolutions of RAW - 1216x416 20fps and 1088x384 24fps)
Shots made with KONOVA K2 80cm slider.
KIT lens on cropped camera is from 18mm to 28.8 mm + crop on RAW mode makes it around 50 (but not the way 50mm lens looks)

Used Little grading to H.264 - SHADOWS AND HIGHLIGHTS, BRIGHTNESS AND CONTRAST
RAW - corrected white balance, recovered highlights, noise reduction, added vibrance, reduced sharpness, recovered shadoows