Looks like you are not setting a proper white balance on your 50D or it could be the fact your just doing too much processing in post. The last scene in the first video of this thread. i can tell the white balance is off. It's too green.
Etiquette, expectations, entitlement...
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Show posts MenuQuote from: glubber on June 26, 2013, 08:51:28 AM
You are missing the "\" before "*.ufraw"
ufraw-batch C:\Users\Johnnie\Desktop\Timelapse\ufrawconvert\*.ufraw --out-type=jpeg
Quote from: N/A on June 09, 2013, 12:40:40 AM
sRaw helps with video memory but it may corrupt pictures. Make sure you set it back to Raw before taking pics.
Quote from: Kakuda on June 07, 2013, 08:58:06 AM
Sharp enough or not, I still trade sharpness for dynamic range and the possibility to work on the footage the way you want:
Quote from: N/A on June 06, 2013, 11:44:15 PM
A few thoughts on this subject. Keep in mind that these lower tier cams come with lower tier glass as well. A stock 18-55 will display a somewhat negligible difference, but L glass or equivalent will capture color and sharpness much better for raw to work with.
I've shot numerous h264 videos with nice glass, max bitrate and great picture styles. I still prefer working with raw footage for the simple fact that the color is so much easier to denoise, correct and grade. If its a serious paid project then h264 for stability. Raw for everything else.
Quote from: JohnBarlow on May 25, 2013, 07:16:21 PM
Please consider my request for 720 x 640 (8:9)
With a 2x scope and 24mm lens should look good 720 x 1280
also its the best vertical resolution !
Quote from: N/A on May 23, 2013, 05:28:35 PM
I'm not expecting anything close to mkiii perfornance from the 600D, but if we're going back to 8 bit, just use stock video with bitrate maxed and gop3 frames. Besides, mjpeg was a no-go according to the devs.
Although this new 12/10 bit topic might do the trick.
Quote from: N/A on May 22, 2013, 10:54:57 PM
Mjpeg is 8 bit. Nah, I'll stick with 14 bit.
If you want bigger, just buy a mkiii.
Quote from: 1% on October 19, 2012, 06:38:44 PM
ISO + Complexity affect the actual rate. That card probably doesn't have enough sustained write to keep up. 45MB/s is just a burst read speed for marketing.
You need something that can do 18-20MBytes/s sequential write to get the highest bit rates/qualities. Pretty much sandisk "pro" cards and a few other tested exceptions in the SDXC realm.
It will never be consistent. Some scenes MAX quality makes 70mbps, some scenes it makes 199mbps. Difference was worth ~$60 patriot card for me, $180 pro card... that I don't know. Good cards should be giving you "2.0x" at least under most conditions.
But.... MJPEG will need high rates too so you're kinda future proofing.
Quote from: ilguercio on October 19, 2012, 06:42:00 PM
Do a bitrate test and tell us what the results are.
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