Hey guys. I have been off the forum for a while now. Whats new? Whats the most recent firmware? Anything cool happen? haha
Etiquette, expectations, entitlement...
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Show posts MenuQuote from: Andy600 on July 26, 2013, 12:29:28 PMmuch of what i shot was cranked to the highest iso settings and noise was added in post.
Sorry Riccardo, I misunderstood what you wrote previously.
Yes, I agree. The video is very dark and noisy. Maybe it was an intentional look and noise was added in post? but it still looks very underexposed to me. It could also be down to an uncalibrated monitor when grading.
Quote from: Andy600 on July 26, 2013, 12:06:34 PMit was intentional. added it in film convert
If you're getting noise in daylight shots you're either seriously underexposing or your ISO is set very high. Use the raw histogram and expose to the right.
Quote from: riccardocovino on July 26, 2013, 10:51:46 AM
great shots, but noise is at an insane level!
I can see it even in daylight shots
which were the settings of the camera?
Quote from: artiswar on July 23, 2013, 06:58:41 AMdude! cant wait to see this! looks gorgeous!
Grades from today:
Quote from: Andy600 on July 19, 2013, 02:31:18 AM
No! Hacked preview mode will only let you see a low-res preview of the recordable crop area before recording. It will revert to 5x grayscale when you hit record. No fixes for this yet and don't expect that to change anytime soon.
Just how critical is your framing that you can't use an educated guess as to what the recorded frame will look like? Think of it like a broadcast safe guide overlay in your NLE and you are seeing the safe area. You have to think a bit 'old skool' with the 50D
Quote from: goldenchild9to5 on July 04, 2013, 04:50:03 PMRawMagic to Resolve to FCPX. No sharpening. I used a custon LUT I downloaded off the internet. Learned a lot from my friend Dan. http://www.youtube.com/watch?v=E8Bg4E2SyRE
Beautiful footage you making the 50D shine. What was your workflow? ACR into Davinci, or RawMagic straight into Davinci? Did you use any sharpening?
Quote from: GregoryOfManhattan on July 04, 2013, 08:13:36 PMlol thanks! parthenon is a great place for a picnic!
on 50D i'm seeing the Canon full color screen when in ML Grayscale until i hit record then it switches to grayscale.
(recent unified build)
Movie -> Raw Video -> Preview ->ML Grayscale
is this a bug? is this happening on the tragic builds from 1%?
also, the 50D ML grayscale is beautifully detailed in comparison to ML grayscale on 5D3.
note: for those PM'ing me about pink frames - you should not get pink frames in any recent build.
when the white point (set in the exif) of the DNG is above the actual white level you will see a pink frame.
these bugs were fixed weeks ago.
do not be fooled by pink preview images.
if you have a DNG from a recent build which is pink when viewed in gimp or a commercial tool then that is a bug.
post the DNG image and build info to the forum.
@ultramaze thanks for the video - like the hand held vérité shots in the car - parthenon is not a bad place for a picnic.
Quote from: nightvision04 on July 04, 2013, 09:08:16 AMthanks man! ya i used a print LUT in Resolve! just like you! i watched your tutorial on youtube and had to give it a try! thanks for sharing!
Brilliant color! Did you use a Print LUT? Resolve?
At 0:05, I knew it was gonna be a mindblow.
Quote from: nightvision04 on July 04, 2013, 09:06:31 AMhey buddy! lol
Oh, this is you Dave! Its me, Dan.
Quote from: nightvision04 on July 03, 2013, 10:10:19 PMhope we can get a filter for the 50d!
That's going to be the next hurdle here...
Quote from: kgv5 on July 03, 2013, 09:51:24 PMthanks bro!
I don't know, sorry.
Quote from: kgv5 on July 03, 2013, 09:35:05 PM
It can be some moire issue. On 6D i had many green and blue blocks especially on the trees (very detailed shots) . They are all gone after installing VAF anti aliasing/moire filter.
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