To expose for highlights only, disable SNR limits in ETTR.
I thought of trying this earlier but ETTR is disabled with bracketing (even when triggered with SET) and constantly toggling it didn't seem like much of a time-saver over just dropping the exposure manually. Again, it's already simple to do manually, but I'm doing it over and over and over again. I just wish it were automated.
Experiment with these values in hdr_check_for_under_or_over_exposure (e.g. start with under_numpix = pu > 500 and over_numpix = po > 20 and let me know what works best).
I think it's great how you work with the assumption that anyone can do this. Positive leadership. But I haven't managed to get that far yet. (If you just change it I doubt anyone is going to miss that nearly all white frame.)
Canon meter, ETTR... whatever is in inside the bracketing range, or at one of the ends, should be just as good.
Canon meter? Spot metering? Doesn't exist in LV, which I shoot in for a number of reasons. (And metering a spot outside LV, then reframing/readjusting a tripod would be waaaay more work).
Like I said, ETTR doesn't work with bracketing. I just tried it now and it looks promising, but I'd need daylight to know for sure. And for it to make sense to use, it would have to be enabled when bracketing is enabled.
Shooting 0 - -- sequence won't work in many (if not most) cases because I'd have to start in bulb mode somehow when a room isn't lit well.
I think when I tried 0 - + -- ++ it didn't underexpose the room enough to get the stuff outside windows exposed correctly. I'd have to test it again.
Come to think of it, I'm not sure sequences other than 0 + ++ are useful at all.
Why? Above 1600 it's pointless on 5D2 and below you can just use a fixed ISO.
I brighten everything a lot in post. I don't think 1600 would suffice for real estate, but I haven't tried it in a while.
This is good in theory, because you get much lower noise levels. Though it may cause problems with clipped highlights => something like ZeroNoise should handle it better than enfuse.
The highlights in the last frame are always waaay blown out and I've never lowered them so much that they are lower than the previous frame. This is only a slight adjustment from light gray shadows to dark gray. I'm not worried about noise so much as situations where I have a shadow that's as bright as a midtone. You end up with the back of a sofa or something that is unnaturally illuminated, and you can't fix it with any type of contrast adjustment.