I used britom's 12/09/2013 build of ML for recording this test.
I know I'm not active much on here and I wish I can contribute more so here is what I've done. I have the SanDisk UDMA 6/60 MB/sec, 16 GB card so I'm a little limited on card speeds but I do get a solid 50-55 MB/sec on it so it works well enough. I've been playing with the official RAW module and the bleeding edge one from britom and I have a VAF-7D

but no I am not using an NLE; just my Mac and my Linux server. I recorded ~200 frames with and w/o the VAF-7D, critically focused both, to see how well the VAF works and how much fine detail resolution is lost.
These recordings were done about 2 minutes apart, roughly 200 frames each, on the Tokina 11-16 f/2.8 (first version of the lens) @ f/11, ISO 100, with a shutter of 1/48th w/o FPS override. I'm comfortable using this lens on my 7D and doing large prints so using it for 2 MP video isn't a concern. I intentionally overexposed by 2/3rds of a stop, processed the DNG's with RawTherapee with highly tweaked/customized settings to extract as much detail as I felt possible and up-res'ing them to 1920x1080. From testing with Photoshop and RawTherapee I determined it was best to 'bake' the sharpening
(1) with RT and upsize it in the export instead of doing a separate resize & resharpen with Photoshop. I then passed the PNGs to mencoder (it doesn't play well with tiffs) and x264 to produce the following video tests.
Combined video:
MOV,
AVIWithout VAF:
MOV,
AVIWith VAF:
MOV,
AVIVAF-N PNGs (704 MiB zip)MD5: b5d7bf9af890e72cf277201e5f6bb51a
VAF-Y PNGs (670 MiB zip)MD5: 75f81070184c41b56179d72f52a41cf7
Note 1: One possible pitfall of the test I did is that I apply the exact same settings to both shots. I previously pixel-peeped and fine tuned the detail and sharpening settings with frames using the VAF. As the non-VAF shot is inherently sharper, there is some minor over-sharpening.
Personal note: I own Photoshop CS5 and Lightroom 4. LR4 is a very nice piece of software and can produced stunning results with it's amazing tonal controls. However, it doesn't have the fine tune capability required to try and mask out or minimize the aliasing caused by pixel binning and line skipping. As such, I decided to used RawTherapee which has such controls. If you'd like to see what I've done with the fine details and you have RawTherapee, have a look at
this file. In future, I think I'll export TIFFs and use LR4 for the effective "grading" until I decide to get a decent NLE.
To encode the PNGs with x264 via mencoder, I used the following settings:
mencoder mf://*.png -mf fps=23.976 -o ./VAF-Compare.avi -aspect 16:9 -msglevel all=0:vfilter=4:statusline=5 -ovc x264 -x264encopts crf=20:frameref=8:cabac:level_idc=51:subq=9:threads=0:nofast_pskip:keyint=72:keyint_min=12:rc_lookahead=48:deblock=-3,-3:partitions=all:me=umh:bframes=5:aq_strength=1.2:deadzone_inter=13:deadzone_intra=7:qcomp=0.8 -oac copy
Edit: The x264 settings are such that the video is compressed with a constant rate factor, which is analogous to a constant quality level.
To get .mov files I demuxed with mp4box (part of the gpack package)
mp4box -aviraw video <input file>.avi
and then muxed with mencoder since I've had problems with mp4box's muxing
mencoder <input>.h264 -o <output>.mov -of lavf -oac copy -ovc copy