I'm going to commit blasphemy and say I think Dual ISO is a dead end for video. Some of the samples out there have amazing dynamic range, but the aliasing is just terrible.
Having HDR with no time-based artifacts may be worth it for stills, but even there, bracketing is an option with even more range, and it works fine in many cases.
I say this because I really wish that RAW video was perfected and truly field-ready. RAW video was already drop-dead awesome before dual-ISO came along, and yet there's still plenty of work before it's really usable. Solving audio, external displays, cropping overlays, status indication UI, file format, time-code, exposure/focus aids, workflow and, of course, stabilizing the system are all worthwhile if not critical. Finishing them is a job.
I think dual-ISO video is intriguing, but a huge "feature-creep" on RAW video, and it would be best to ship the first before becoming consumed by the second. ML RAW video could mean a revolution in film-making, but it's essentially still a prototype.
How about getting RAW video done? Think of the films, the press, the accolades! It's that good.
I'm happy to help any way I can.