no, had 2 hours of great dual iso@3.5k 14 bit lossless 2:20
beside first frame pink
had nothing but continues stunning raw video.
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Great news!
Now 5D3 in 3.5K super 35mm mode is no less than Arri Alex 35mm series.
Any one here knows if dual ISO on 5D3 in 5.7K 1x3 mode has flickering in bright area?
Why Most Movies Are Shot On Arri Cameras
Reading the follow up comments is very interesting. Many experienced DP there.
"I have an Alex Mini LF and a red V raptor, Helium, C70, Blackmagic,Panny EVA1. The Alexa might have been way above over the competition 5-8 years ago, today? Not so much. The Alexa Look , besides the out of the box colors is this. Alexa digs deeper into the shadows. Whatever you shoot with Alexa tends to look HDR'ish. because the log curve digs into the shadows. As soon as you shoot something with any other camera and lift the shadows in post. Boom! Looks almost identical to the Alexa. Red V raptor is Cleaner also. Faster, cheaper, more compact, lighter. The only difference is the out of the box colors. Once you color correct every camera side by side? Alexa is nothing special."
"Alexa mini LF owner here, fortunately have been able to use just every digital cine camera from bmpcc6k (which I still own and use), and at least 8 different types of red cameras(komodo is valid) up to the Mini LF. Arri is truely the best camera company in the world. If you don't believe me, shoot a project on Arri with cooke 1.8 anamorphic or any high end glass and watch your mind be blown. Here's a music video I shot with that setup
. It can make our jobs seem too easy at times but allows room for extreme creativity and style."
"Sony Venice has wider gamut, dynamic range and noise that is far more like film (variations in size over luminance). But the Arri is far harder to mess up the settings, and the Sony menu is a mess. I.e. the transition to digital from film was easier with the Arri. It’s easier to use, and harder to fruk up. I’ve posted over 100 features, and the Arri gets consistent results (I examine the metadata so I know what’s been done in the settings by the dop). imo the Sony creates better image both in it’s character and technical range, but is harder to learn how to use."
"The Sony Venice and especially the Venice 2 is absolutely beating out Arri even the Arri LF systems. Arri will always be considered an amazing camera system but they aren't adapting nearly as quickly as their competitors. We can't keep the Sony Venice on the shelf and have had DP's opt for the Venice 2 on major feature productions over Arri. Movies are no longer mostly shot on Arri cameras. Was this relevant 2 years ago, absolutely, but now the competition is getting too tight. Not to mention Panavision is still very popular and always was neck and neck with Arri."
Take home message: High end cameras are getting better and closer to each other now. Alexa still has an edge but not significant. 5D3 ML is getting there too. Once the realtime preview and the hdmi output is ported from 700D/650D by Bil the Great.
2h means 1TG footage? How long was the shooting session for this 2h footage? Did you experience the overheating due to sd card overclocking? What was the camera temperature? Did you buy all of the 2tg cf cards and sf cards? Will this take one to two weeks non-stopping pp computing time? Thanks.
