First of all: thanks to marekk for giving us a chance to play with these bleeding edge features!
Develompent seems to go blazing fast here! I had some free time this weekend, so I made up a little build/upload script for ML. It checks for repository commits every hour and uploads compiled zips to dropbox in case there were any changes (and by 'ANY' I mean even if they are not specific for 60D). Contents of these builds are pretty much the same as in marekk's, except for 'modules' folder is already in 'ml' folder (seemed more convinient for me to update).
Remember that this is for testing purposes only! Of course I don't have a chance to check every build myself 
Here's the link to dropbox folder: https://www.dropbox.com/sh/1kitzbmanifb6sf/qgkHzW3gn2
And, again, commits log: https://bitbucket.org/hudson/magic-lantern/commits/all
Thanks Rocket!!!!!! Things are moving fast & this will allow people to test whatever/whenever.
There has been said a lot about 'native' ISO's. If you look at page 62 of the Canon Rebel T2i (550D) manual, you'll see the following ISO speeds: Auto, 100, 200, 300, 400, 800, 1600, 3200 and 6400. So it's safe to assume that these are the real native Canon ISO speed settings.
So why all the fuzz about 160, 320, 640, etc. The 160-multiple ISO's are actually the cleanest not because they are 'native', but because they are a result of a digital exposure pull. This pull brings down the exposure of the entire image, and hides much of the noise that would be visible at the next higher ISO. ISO 125 is actually ISO 100 with a 1/3 stop digital exposure push, etc.
The real question is: how does ML handle with these 'tweeners' as ML captures LIveView frames. Are the 'tweeners' still pushed or pulled?
I was wondering this too & by chance stumbled across the differences between Native & 160 (vimeo didn't do it justice, but you could see the digital gain at work).
I am guessing that for video the extra digital gain in the 160s will help with the H264 compression/quality etc...
I'm just not so convinced that this is so true for RAW - i don't need any extra gain added to the ISOs, because i can do that myself.
Anyway you just need to test for yourself & find out what you like - its "Horses for Courses" in the end.
Its like all the complaints about the quality being "noisy"!
I think people were quite spoiled with H264 & it kinda hid a lot of bad footage in its compression.
What really makes me laugh is all the people that want to recapture the"Film Look" & have never actually shot on film - Grain is Noise! Lots of people i know actually like the noise coming from the sensor in Raw, especially when using ETTR.
It all comes down to what you personally like.
Still got to remember these are DSLRs & not a RED or Alexa.