numbers may change but the frames remain the same.
today's builds include code changes to bitrate calculations - so the numbers may display differently than before.
you can compare performance with past builds by maximum frames under some settings (1920x1080 @23.976) or maximum continuous recording at your favorite aspect ratio.
(for the super speed builds, it's looked to me as if the numbers on screen were less than the required bitrate - e.g. 1920x1080p23.976 should be closer to 83MB/s and the 80point1 build reported around 80.1)
@Rawolution - enjoy 1600 maximum width in regular raw video mode - that is it.
@pinger007, @rommex (and the whole moire gang) - i wouldn't go so far as to say unusable - you have to decide where to use it. it will present issues in environments with regular patterns and hard thin lines. for myself, i did some camera tests to see a range of conditions.
included a not great panning city scape to show the moire.
at 25second far left top corner the windows have a crazy multicolor pattern,
the rooftops to the left of the Allianz building show some strange flickering digital artifacts which i think is caused by antennas.
the side of the dark brick building center frame at 35second has very visible moire.
in resolve lite, i tried to separate luma and chroma and to blur the chroma to reduce at least the rainbow portions of the moire pattern. all these things look worse at full resolution viewing the cinemaDNGs - the silver lining in all the compression to post videos online is that the apparent problems are reduced.
the earlier shots of the trees could have been processed (perhaps by masking the backs of the trees or could i have keyed on the tree bark color?) to keep the dark detail in a very wide dynamic range shot.
(note: uploaded a 444 prores with vimeo compression and somewhere - this vimeo gamma is much darker from what i saw on screen - at my limit for the week of uploads - so cannot be replaced)
looks to me like the 50D image can be sharpened and look very nice on organic natural shots - trees, forest , ocean, etc...
a deep focus city shot is going to require post work to reduce the moire.
basically you need to limit depth of field in a city or room with patterns.
the final shot show crop/ zoom mode at 105mm looking at one world trade center (4.2miles / 6.7km ) and 1 penn plaza (1.3 miles / 2.3 km) distance.
@rommex - you may like a documentary film "crumb" (1994) - it shows an artistic interpretation of telephone and power cables.
