Now i'm getting stable 1280x536 (lovely 1:2.4 cinemascope ratio) at 18 fps, and with some effort and tricky twixtoring, i'm pretty sure i can shoot the whole short film entirely within the RAW workflow.
With all the fine detail, dynamic range, beautiful color reproduction and other flexibilities, we can now get a bunch of really shiny shots, guys.
Another color test:
A couple of tests with motion and slightly moving objects. As you can see, this technique theoretically can handle some more complex motion, so this is promising:
My current workflow:
- movie mode with overlays off
- 1280x536 18fps or 1344x576 15fps
- minimal possible ISO of course (for day outdoors usually i use iso 100-0.3 ml ev = 80)
- shutter speed for filmic look is obviously dictated by 180 degrees rule, so it should be around 1/40 - 1/50 sec. (if you are planning using some time remapping plugins like twixtor, the shutter speed shoud remain the same for natural motion blur, regardless of actual fps you are shooting on).
- Raw2DNG
- Initial and most thorough grading in Adobe Camera RAW
- Importing DNG's directly to AE (my slightly overclocked core i7 930 is enough for short tests, but for longer sequences i will use exporting to 16bit tiffs or smth)
- Twixtor pro to frame rate conversion.