5D2 RAW video Builds 14-Bit

Started by a.d., May 20, 2013, 05:27:13 PM

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Doyle4

UPDATE: x10 still does not work... output video created is like someone is shaking the hell out of the camera ha, also the last frame when using dolly mode is all pink and pixely looking.  :)

disjecta

Today's build 6-21, runs beautifully. btw, how do I access the digital dolly feature?

dandeliondandy

Build is great but I'd also love to see an option for sound back. I understand that it causes issues with the buffer but as fatpig suggested, perhaps a few seconds? With the 5DmkII the audio in previous builds seemed to match up very easily with the start of the clip, making syncing external audio MUCH easier. I'm trying to think of this in terms of shooting a low-budget film, and audio syncing would be a constant.

ted ramasola

if you use the beep feature for sync. I've done some tests with it syncing dialog and here's some info to help.

Set the camera speaker volume to 5 or highest so the beep is audible to the sound recorder.

In a 24P framerate the beep's peak is consistently of the 5th frame of video recording. There might be a slight fade in slope on the 4th frame but otherwise the peak begins on the 5th.
5DmkII  / 7D
www.ramasolaproductions.com
Texas

Indianac

I figured out the green dot issue. In case it wasn't mentioned anywhere else, the green dot was because I was watching the mov file created out of raw2dng. When i opened up the dng files and followed the longer workflow (raw2dng->PS->QT7), the dot wasn't there. I'll post this on the raw thread as well.  Thanks!

bnvm

For those wanting to synch the sound and are having issues with the synch beep, why not just use a movie clapper. Just get one or make your own. Even clapping your hands in front of the camera would work.

togg

Quote from: ted ramasola on June 21, 2013, 04:46:33 PM
if you use the beep feature for sync. I've done some tests with it syncing dialog and here's some info to help.

Set the camera speaker volume to 5 or highest so the beep is audible to the sound recorder.

In a 24P framerate the beep's peak is consistently of the 5th frame of video recording. There might be a slight fade in slope on the 4th frame but otherwise the peak begins on the 5th.

Thanks. Trilled to test the new build.

Doyle4

Quote from: disjecta on June 21, 2013, 03:53:58 PM
Today's build 6-21, runs beautifully. btw, how do I access the digital dolly feature?

Where you choose RAW video theres now Dolly Digital just underneath resolutions.. turn it on, use ur control stick to move in the direction you want :)

Mati


noix222

@a.d

you hack is amazing!!!! the new build is pretty good too. My only request would be not having GREYSCALE in 5x crop ... We can have the image with color when recording in 5x crop ??

thankssss

edit: im also testing frame rates.. and i usually record in 1x and 5x with both fps override ON to get smooth 24fps. But in 1x when i turn fps ON the frame rate comes out 29.997 pretty weird .... AND STILL GETTING PINK IMAGES RECORDING 5x 2.1.

https://dl.dropboxusercontent.com/u/36670435/000000.dng

togg

The new buffer graphic is really beautiful.

a.d.

@fatpig
the 5s WAV is an interesting idea. You could post it in the features request.

@Doyle4
5x and 10x are identical. We record actually 3x crop.

@Indianac
Just to be clear about chdk. It's a DNG badpixel optcode for ACR. That means the converter for ProRes doesn't read the optcode!
Do you have a fast internet connection? If yes, I need only a second of a hotpixel.RAW to test.
Update: 2 DNGs are enough.

@Mati
Does your girl friend know, she is a zombie?   ;)

@noix222
The workaround from a1ex is the best option for us now, because It takes into account such a problem http://www.magiclantern.fm/forum/index.php?topic=6426.0

reddeercity

 :) :)
this is a documentary i'm working on with Raw, try to shoot as much as i can.
with the June 6th built, i was reluctant to try past built until now , i hear its very good now.
Been working in After Effect, apply a color profile "Panalog" or "Panavision Genesis Tungsten Log"
No other Correction was done


;D

a.d.

I like the natural look and the film is in synch.

reddeercity

Quote from: a.d. on June 21, 2013, 10:52:03 PM
I like the natural look and the film is in synch.

Thanks,  :)
Recorded with  frame override on 24p
recorded audio with wireless sennheiser Ek 100 G3 to Zoom@96/24
Edit with Final Cut Pro x , FCPx has very good Audio Tools

ted ramasola

Quote from: reddeercity on June 21, 2013, 11:07:59 PM
Thanks,  :)
Recorded with  frame override on 24p
recorded audio with wireless sennheiser Ek 100 G3 to Zoom@96/24
Edit with Final Cut Pro x , FCPx has very good Audio Tools

Nice colors but in my computer I think audio track is ahead by 1 or 2 frames.
5DmkII  / 7D
www.ramasolaproductions.com
Texas

reddeercity

Quote from: ted ramasola on June 21, 2013, 11:13:34 PM
Nice colors but in my computer I think audio track is ahead by 1 or 2 frames.

Thanks, Ted you are right, i didn't notice it until now
Good thing it my first Daft ::)
I was in a big hurry to post i didn't check it closely

maxpyane_2k6

Awesome improvement ;) thanks to all magic lantern team. Is it possible to have Focus Peaking during recording in raw ???

morflexxx

Great, great, really great work guys!
If someone could summarize the list of improvements of the last release about:
max res in continuos mode
max res in crop mode
max res in 4:3 mode (for anamorphic footage)
...and the others goals achieved by "dream Magic Lantern team"on raw recording...would be very appreciated!
Thanx!

PressureFM

Quote from: morflexxx on June 22, 2013, 11:48:20 AM
Great, great, really great work guys!
If someone could summarize the list of improvements of the last release about:
max res in continuos mode
max res in crop mode
max res in 4:3 mode (for anamorphic footage)
...and the others goals achieved by "dream Magic Lantern team"on raw recording...would be very appreciated!
Thanx!

I mean no disrespect but couldn't you just as well read the thread?

Redrocks

Using a Komputerbay 64GB & A1ex's new module on the 5d2:

Max continuous

4:3 = 1472 x 1104
3:2 = 1472 x 982
16:9 = 1600 x 900
1.85:1 = 1728 x 934
2:1 = 1728 x 864
2.20:1 = 1872 x 850
2.35:1 1872 x 796
2:39:1 1872 x 784

dariSSight#1

Quote from: Redrocks on June 22, 2013, 12:54:55 PM
Using a Komputerbay 64GB & A1ex's new module on the 5d2:

Max continuous

4:3 = 1472 x 1104
3:2 = 1472 x 982
16:9 = 1600 x 900
1.85:1 = 1728 x 934
2:1 = 1728 x 864
2.20:1 = 1872 x 850
2.35:1 1872 x 796
2:39:1 1872 x 784

Using a Laxar 1000x 32GB & 2013/06/21 0c3188c5134f Build on the 5d2, Ratio 4:3, 3:2, 16:9, 1.85:1 and 2:1 of Redrocks reading are the same but the 2.20:1, 2.35:1 and 2.39:1 are different on my readings:

2.20:1=1880x854
2.35:1=1880x800
2.39:1=1880x786

I see that a Jun 22 build has been released, does it have an improvement on the variable buffering or has variable buffering been totally taking out?

Redrocks

I just installed a.d's latest build (cf56893d7be4) and it appears to have variable buffering. Also he has removed his 1880 hack to bring his resolutions inline with A1ex's builds.

Cineguz

Hello to all. Does someone could explain to me why I can not install the latest versions of "Builds". I got stuck on the 14th June. From there, when I substitute for newer modules they dont load, (file_man error, raw_rec error, xml_cfg error). Thank you.

fatpig

delete ML and start fresh. it should work.