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Started by a.d., May 20, 2013, 05:27:13 PM
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ASSERT: 0at Memory\Memory.c:561, task RscMgrlv:0 mode:3Magic Lantern version : v2.3.NEXT.2013Jun24.5D2212Mercurial changeset : 8262dacd390d+ (unified) tipBuilt on 2013-06-24 13:19:11 by ad@MagicLantern.Free Memory : 227K + 3863K
Quote from: NewHourFilm on June 25, 2013, 04:17:52 PMJust a simple upscaling test with the Photoshop Image Processor. DNG (1880x854) to TIFF (3072x1307). No Post-Sharpening etc.It is not exactly RED-3K, but you can work with it.Thanks to Reddeercity for providing the infos on the workflow 1880x854 32GB Transcend 1000x06/13/2013 Build
Quote from: a1ex on June 25, 2013, 12:33:59 PMI can't reproduce the pink frame issue at all.Straight from my card: http://a1ex.magiclantern.fm/bleeding-edge/5D2/5d2-fac94f686d23-pink-debug.zipWrite down the black levels (they appear in the top area on the screen, when starting and when stopping recording) and post them, along with the result (whether the recorded frames were pink or not).
Quote from: NewHourFilm on June 25, 2013, 08:46:08 PMdariSSight#1 as far as i can tell, the Tiff file contains the full color information and original resolution. The DNG is transfered to Tiff with 16Bit color depth and so the full 14Bit should transfer in the process. No Banding etc. The PS Image Processor gives you the option to process the DNG to different sizes: 1880x854 (1,6MP) 2048x930 (1,9MP+) or 3072x1395 (4,3MP +) with 240 PPI the resulting 3K Tiff files really show much more detail in comparison to the original DNGs. I don't know if this resolution is just achieved through upscaling the 1880x854 or if the 3K data is backed in in the DNG files, but it really looks nice. It is a shame youtube just compresses everything to 2K in 8Bit 420.When it comes to image quality and pure resolution and detail the Red cameras are the industy standard, but the images coming out of the 5D2 and 3 are nothing short of amazing. The Red cameras are designed to deliver the best possible image in the 2K+ range and there is a noticeable difference when you compare the upscaled 3K with an 3K R3d file, but it is not as dominant as one would think. I would say you can intercut footage and it would not be a major problem
Quote from: sdesign on June 25, 2013, 11:04:21 PMWith the release of these newer memory cards, like the 1000x and the 1066x cards, will there be any sight of full hd in any of the nightlies, anytime in the near future? I for one, hope so, as, I've just ordered a 1066x car, today!
Quote from: reddeercity on June 25, 2013, 10:36:15 PMThanks guy for use my workflow to upscale. Tiff can carry any embedded profiles that you can embed , or use Camera raw.The Biggest think you must do is maintain the dpi, (240) Very important ! this is where the image makes it or brakes it, I have been Working with PS & AE If you try to upscale in AEit will look Bad, because AE dose not see the image as Photo image but as Frame image @ 72 dpi.Plus i have play around with "Film Color Space" in Photoshop & After Effects.i have been embedding the PanaLog "Panavision Genesis Tungsten Log"in the Tiff image , i think that would be great for 2K or 4K "B" roll Panavision Genesis Tungsten Log (Embedded LUT)or ICC for PhotoshopYouTube is the only ones that stream True 2K & 4K in the original Quality setting tab.
Quote from: dariSSight#1 on June 26, 2013, 12:45:23 AMReddeercity thanks for getting the conversation started with the upscale possibility of Magic Lantern gift of RAW video, but to think of the 5D Mark II ML RAW firmware ability as only use for B-Roll kind of sucks. So let's begin with why not use Magic Lantern's gift of RAW as main film production stock? Why not use the the Rawness DNG to upscale at least to 2K, the reports of the Data from the DNG holds up? Why not use the Canon 5D Mark II for motion picture projects, I ask these questions keeping in mind that the fast race car scene in the beginning of Ironman 2 was shot with the Canon 5D Mark II with no fear of Rolling Shutters, the full 6th season finale of House was shot Exclusively with the 5D Mark II (it was a visually broad canvas presentation), the feature film ACT OF VALOR was shot exclusively with the 5D Mark II for 12 million dollars then grossing 81 million dollars and many more worthy Canon 5D Mark II professional projects. All those example of professional film work was accomplish with the Canon limitation firmware, now even if the limitation of Magic Lantern Firmware in RAW giving the Mark III 1920x1080 continuous RAW and the Mark II only shooting 1880x850 continuous RAW but Magic Lantern firmware setting option is very professional. Final question, Isn't the Magic Lantern 5D Mark II firmware settings and RAW capabilities industry standard?
Quote from: a.d. on June 25, 2013, 10:37:15 AM@ all with random pink frames in crop modehttps://bitbucket.org/a_d_/laboratory/wiki/Home@ted and duncanidaho25Beautiful shots of the Moon@motionpikczerI like it
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