Hm, nice idea, but the ProRes files I get are quite unusable. Correctly exposed RAW files turn into 3 stops underexposed .mov's that don't seem to have the color information needed to get them back up, results in extreme overall noise.
Also I'm not sure the automatic WB is needed since it should have been set correctly in camera, right? Only Green/Magenta Shift should be set to 0.
Thanks