I'm looking at keeping 4k (4096x590=>4096x1770 23.976fps) or as I call it
Vertical compressed , don't like the name 1x3 or 3x1 or what ever it's called (less confusing)
I did a short 4 min talking head clip (me talking about 4k on the 5d2

) Yea that continuous @69MB/s write speed @ 10bit uncompressed
I found it to be not as bad as I thought , yes there a very small amount of aliasing
but with some heavy grading and anti-aliasing filters is more then useable
thou you must select your shots wisely to avoid this little issue .(fine patterns etc. .. you know the drill)
Here a frame of the close to final grade , still needs a little tweaking .
5D Mark ii Real 4K.tiffWorkflow:
MLV App 1.4 wins , to exact dngs to full height (590->1770)
Imported the dng's in to Adobe CS6 A.E. ACR set project to 32bit float
(I tried mlv app first , but I can't get the image to look right the skin tone where really bad & had had too much noise in the shadow ,
sadly I when back to A.E. so slow 6Hrs to generate 6300 4k tiff's

compared to 90 mins on mlv app maybe it better on the MAC never tried).
Imported the tiffs in to Apple compressor , made a real ProRes4444XQ (Apple ProRes is much better , 16bit+alpha)
The real ProRes4444XQ can be real pushed hard for grading , take a lot to break the image .
Imported in to FCPX edit & final grade , added my LUT there , "ArrilInterneg_KodakVision_sRGB.cube .
So do the other 5D2 users think I should keep 4K preset in compressed vertical ?
The sample above should be noted that I was a little out of focus (hard to do by yourself

)
FYI: 4mins of 4096x590@ 23.976fps = 17.7GB (mlv_rec file) that got blown up to 350GB of tiffs = 40GB ProRes4444XQ
So at 4096x1770 , 1 dng = 9MB , 1 Tiff = 58MB x6300 frames
Cam settings 400 ISO 1/50th 180-degree shutter , Canon Ef24-70 f2.8L @ 24mm f4.0