This off topic but I will answer it this time , better to post in the raw processing threads
...... what is the best way, according to you, to import those .mlv files into Premiere Pro ?
(to not loose the raw advantage too much, I don't really know what to do, there are lots of different technics on youtube but I don't know which one to pick 
Thanks !!!
Will it all depends on the computer hardware you have .
e.g. fast SSD , lot's of Ram 16-32GB & fast CPU ( at least a 8core i7 or AMD FX)
In all workflows , the best way is to use
MLVFS (Cdng on the fly , Virtual Cdng's) specially with 5D2
once you have mlvfs installed load MLV on to SSD ( does work will off the CF card but a little slow)
The big advantage is you don't have to export Cdng & use up hard drive space , just load them in to mlvfs start grading/editing no wait time .
Works in MAC , PC & Linux , I've used it with Blackmagic Resolve & CS6 Adobe After Effects .
My preferred workflow on my PC (Windows) is Adobe After Effects (ACR) -> dynamic Link to Premiere Pro
Make a After Effects Composition , do your Camra Raw adjustment with ACR save it
In Adobe Premiere Pro, choose File > Adobe Dynamic Link > New After Effects Composition
You will need a very fast computer to do this .
My Mac workflow , is a little different depending on what I'm doing .
I all ways start with Adobe After Effect CS6 & MLVFS
If I'm doing heavy FX in Autodesk Smoke for MAC , I'll export either 12bit DPX or 16 bit Tiff image sequence
after I'm done I save as a ProRes 4444 XQ or 16 bit tiff sequence .
If I'm doing lite color grade & editing , I export 16bit tiff from AF+MLVFS to Apple compressor and save
it to ProRes4444 XQ+ alpha and finish off in FCPX ( it's truly my real favorite all around video App) IMO
