Hello Megapolis,
thank you and sorry for late reply, I'm on vacations

@12georgiadis
Here you can download such a draft version:
https://yadi.sk/d/TTvMJIEKzCTVT
Thank you. I'll do the test in middle of september.
Please note that for FFmpeg you need to add the following to the command line:
-timecode 00:00:00.00 if fps = 29.97
-timecode 00:00:00:00 if fps = 59.94
As we understand, you will do the following:
Export CDNG series with FastCinemaDNG
Export to mp4 or anything else via FFmpeg (from Fast CinemaDNG)
Do the rest in Davinci or Final Cut.
Please let us know whether this is correct or not.
Not exactly.
1) I shoot MLV raw and simultaneously record in Proxy H264 mp4. To do that, the canon has to start first the H264 rec and then the MLV raw. There is a timing difference. The timing difference is filled by a black on the mp4 Proxy. The sound is recorded on the mp4 proxy only.
2) in switch, I use a script that dupplicates the h264, reset the tc to 00:00:00:00 on the new dupplicate file and cut the black and export the audio.
it takes maximum 10' (depends on the volume of files)
3) I edit directly with proxy on premiere / Fcpx etc. (offline editing). I mean, I'm editing 10' after the offload. No need to transcode. No time wasted. My last documentary was 30 hours of MLV files and I edit on laptop ;-) If the laptop is lagging, I activate Prores proxy background transcode. And i can switch between proxy mp4 and prores proxy from fcpx if neccessary. It's automatic, and you have better performances. at the end I switch again on mp4 proxy (it's one button).
4) I finish the edit, I conform by exporting an XML/FCPXML, AAF, depends on the software NLE. I don't export video file or audio file.
5) I generate on the fly CDNG with MLVFS. They have TC 00:00:00:00, same as the proxy mp4
6) I open resolve, I put my CDNG files in a bin, I put the exported audio in a bin, I import the XML/FCPXML/AAF, I relink automatically thanks to the TC + exact same filename and it's conformed. My editing timeline is back, but with the CDNG files now.
7) I can grade, export the master etc.
I don't want to generate durable CDNG files. I already have MLV files to store. And it's a lot of storage. And it's so slow ! We have to transcode before edit ! Too long for nothing. And I don't want to double the storage. This is nonsense.
The problem is that MLVFS is slow because it's CPU. The idea is to have a GPU solution for on the fly CDNG, because Resolve won't read MLV.
And your software has good settings, good corrections and good performance CDNG, this can be a very good solution. Also because MLVFS doesn't have all the options that you have.