quote from: Meloware on March 02, 2017, 02:31:18 AM
If you want fast, quick and dirty, why not use a simple film chain?
Meloware, Thank you for your reply to my somewhat off topic post. For my project I did use the canon video mode to make the initial reference copies of our 130 movies for review. The movies are amateur shot in 8MM, 16MM, and a few Super 8, the oldest films are from the late 1930's. My Canon video results looked about the same as from your link. You can see a photo of the rig I used for 16mm in the photos below.
quote from: Meloware on March 02, 2017, 02:31:18 AM
My gut says 8mm is less quality than HD and that 16mm can benefit from HD
I agree in general but it also depends on the camera used to shoot the original movie. I think the results from my cousin Joe's Pi system look really good at HD, here is an 8mm example -
https://vimeo.com/178795898quote from: Meloware on March 02, 2017, 02:31:18 AM
The speed of the system is largely limited because of the amount of data required by these raw images. If this is what you want, please help me in encouraging ML development in this direction.
The information and development within this post is fantastic. I agree that speed and data volume are limiting factors for film transfers, and I would add that complexity of the setup is also limiting for many ML users.
What I am asking, let’s call it a feature request, is adding a frame by frame advance feature to 10 bit RAW video capture. Instead of using FRSP, use the ML RAW video hacked even further so that video frame advance is connected to audio remote shot or half press on the shutter allowing the ML video to synchronize with the projector. I'm not a programmer and I can’t say if this is even possible, to pause the ML RAW video frame rate timers and wait for external triggers to advance one frame.
If external clocking of video is possible then the capture speed might be much faster and the 10 bit video much smaller in file size for easier post production. I think there are several other benefits to this method. The crop mode video helps to solve the magnification issue of capturing 8mm and 16mm film onto the much larger Canon sensor. Higher than HD vertical video resolution settings using allow cropping easily in post since alignment of the projector/camera combo during capture is only approximate. Running the movie projector a little slower than normal speed is easier than modifying the drive system for a stepper motor. Anything to simplify the process will help a larger group of users take on a home movie transfer project with their own collections.
16mm projector with 5d2. The optics are a reversed and stripped down 50mm f1.8 Nikkor on 105mm of extension tubes.
https://drive.google.com/open?id=0BxP1ckq84DqoUERUX0ozQTV5WXc https://drive.google.com/open?id=0BxP1ckq84DqoRUJLLTZBbndWYWs For the 8mm projector rig I used the reversed 50mm f1.8 Nikkor on the front of a 200mm f4 Nikkor with a couple of extension tubes (about 5x Macro).
https://drive.google.com/open?id=0BxP1ckq84DqoRHo3U0QtY3RrYzQ https://drive.google.com/open?id=0BxP1ckq84DqoR1BHTzNLMjdnVkE