Hello! Last month I have graded this magnificent footage from my junior student for Movie for music production subject. I endorse them to shoot in RAW on 5D MKIII.=
Footages were overexposed by some shots but It's okay for smooth highlight roll-off charactoristic of RAW.
Firstly, After I receive footage for proxy generation. Dewrap MLV with MLVRAWMystic then import to DavinCi Resolve and correct some color for editor to see some color.
Codec : ProRes422 Proxy @720p
Then Editor finished their work. XML from premiere to Davinci Resolve linked them with RAW DNG that I dewrap from MLV and begin to grade the shot.
I used BMD Film color space and gamma for starting point then add some random curve and LUT. Mostly will be Fujifilm D65 LUT came with Resolve and VisionColor ImpulZ FilmLook.
Then transfer back to Premiere with Round-trip with 50 frames handle and XML back to timeline.
On Presentation day we encoded with DCP to be projected in Cinema Room with Christie projector and Dolby DSS-200 Cinema player. Magnificent picture.
Here is what we got. I export at 2K for sharpness reserve and upscale at export at premiere to retain better bitarate than FullHD 1080 on youtube.
This film is experiment of some mid-tone and sharpness max to the limit. Some shot may not Beauty.
Shot on Canon 5D Mark III
Graded on Davinci Resolve
CinemaMaster RGB LED backlit display