Just want to update the thread a bit.
I think it will take a while since I make another big improvement on my colorgradingworkflow so I post a little update.
I still use RAW2CDNG 1.6.5, Davinci Resolve some CC done with Kodak 2393 LUT on the last node, export proxies to Premiere Pro and do my edit.
I then send back an XML file to Davinci Resolve and use Colortrace to get back to the grade I made before exporting proxies.
Tips in Davinci Resolve is to use BMD film 4K with Highlight recovery, and settings like this, try it, you might like it, I often use a amount of 60 in the shadows parameter, 99.5 is a bit extreme.
Midtone detail is a way to get a clean look not like a HDR image may look like.

When I'am done in Davinci I export out a 10bit Blackmagic clips, with noisereduction plus another XML to Premiere Pro.
I do often export a 1920x818 fake anamorphic so I can reframe my shots a bit.
I usually upload Prores 422 or Prores 4444 to Vimeo since I think that is whats looks the best.

My YearMix 2015, maybe not the most exciting sequence but I sort of like the intense colors anyhow.
Best Regards!
Karl Allemyr, Sweden