Best exposure for high contrast scenes

Started by toby_stewart, February 15, 2015, 09:08:48 PM

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toby_stewart

I have a shoot coming up next week which will take place in a construction site. I'd like to retain the detail in the clouds while still picking up a great amount of detail in the subjects.

What you suggest ETTR or simply slightly underexposing with HTP on and an ISO of 80?

I am shooting on a 5d iii with 4 64gb Komputerbay 1000x cards and an on site DIT to offload and convert. I will be using a reflector to even out the light for the close ups.

Many thanks in advance.

Kharak

First of all.

Raw video has only Analog ISO levels. Meaning 200, 400, 800, 1600 etc.. Setting the ISO to 640 for instance is the Analog of 800 ISO, so that is what you get. The increments between the analogs are Digital in camera gains that do not apply to the final image. HTP does not work either, it only stresses the CPU even further without any cause. Deactivate it.

ETTR if possible yes, but I would never underexpose the talents or whatever the subject is you are shooting just to retain details in the skies. Rather overexpose the sky to keep your talent properly lit.

To be sure that you are not underexposing or overexposing something, make sure to use RAW Zebras. Set the underexposure threshold to +3 EV. Anything above that should be good enough for you to grade and get a proper image out of. But you do a shoot before with something exposed just above the +3 EV mark, to be sure if that is good enough for what you want.

But in any case, I always ETTR for the sake of shadow details, if that is what you want. But if you want high contrast "Black Silhouettes" or the like, than go for full contrast, high contrast images with MLV are amazing.

Good luck.
once you go raw you never go back

DeafEyeJedi

HTP off is a must.

Perhaps, try Dual-ISO RAW (or MLV) @ 100/800 (or 100/1600 if you want to push the DR) and be sure to use ETTR.

Not sure about the post workflow for you because I can only speak for Mac if you're on a PC?

Worth to test out though at the same spot prior the actual shoot so you can get the hang of which ISO combos/settings works best for your needs.

Happy Shooting!
5D3.113 | 5D3.123 | EOSM.203 | 7D.203 | 70D.112 | 100D.101 | EOSM2.* | 50D.109


walter_schulz


jrcreative

You can always use a good old polarizing filter on the lens. That will help keep the clouds from blowing out.