Speedlooks Version 4

Started by DanHaag, November 27, 2014, 08:47:06 PM

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DanHaag

I've bought the new Speedlooks Version 4 Studio LOG package for usage in DaVinci Resolve 11. Since there's no "official" camera patch (aka conversion LUT) for ML raw footage, I've reached out to Looklabs and asked which workflow they suggest.

Quote from: Looklabs"Once you convert your RAW to REC. 709 you should then apply our new universal camera patch (Rec. 709 To VS-LOG). From there you can add a SpeedLook over top and color correct in between the two layers."

So pretty much the obvious way to go when there's no specific single conversion LUT in between. Haven't yet tried their suggested workflow, but got some good first results using BMDFilm 4k -> Cinelog 2.0 + Arri Alexa camera patch (that came with Speedlooks). Still prefer the look that I get with BMDFilm 4k -> Cinelog 2.0 + Koji Color LUTs.

Can't share test shots since all my footage is part of work in progress projects. Does anybody else use Speedlooks with ML raw? Please share thoughts/workflows/impressions!  :)