5dmkIII MlRaw videos

Started by The Director, June 05, 2014, 02:20:29 PM

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The Director

QuoteI guess he means lights, how many and what lights? Or only the sun?
In last shot only sun))
QuoteWhat lights did you use there?
just daylight from windows and Circular Reflector


But there were problems with exposition. I didn't look at the histogram. And many shots underexposure.
Like that, download
You can compare this with final result ;)
Quoteused in different shots (first 7 shots, 20 sek.)
Lens in shots
1) Tokina 16-28mm 2.8
2) Canon 50mm 1.4
3) Canon 50mm 1.4
4) Canon 50mm 1.4
5) Canon 100mm 2.0
6) Canon 100mm 2.0
7) Canon 50mm 1.4

KurtAugust

Very nice work. That contrast filter seems to be mighty good as well.
www.kurtaugustyns.com @HetRovendOog

Scott Free


SiSS

QuoteLens in shots
1) Tokina 16-28mm 2.8
2) Canon 50mm 1.4
3) Canon 50mm 1.4
4) Canon 50mm 1.4
5) Canon 100mm 2.0
6) Canon 100mm 2.0
7) Canon 50mm 1.4

Thanks! Very helpful.
And damnit, I'm very close going the Zeiss ZE f2 route for 50mm and 100mm. Now this makes me think again :)
And then there's the 35mm problem too...

I really like what you did in Don Donut and in Swing, sharpness and colors. Composition. And editing. Makes me once again wonder how much more worth comes out of the L -series, ZE series.. not to mention CNE or CP.2...

I Have the 85mm EF and the stills have been amazing.
I guess the EF series is underestimated when working with 5D3...?

P.S. I think the cropping has meaning here too....

The Director

EF series very not bad.
Example

I consider that in good conditions the difference will be minimum. Chromatic abberation can be received and on expensive lenses. IMHO
I bought a lens recently - Carl Zeiss Distagon 28mm C/Y, it's very nice
In Swing i'm used crop-mode :)

The Director

Color Grading Test for ShortFilm
Kodak 2383

TestColor #5



The Director

shot dance masterclass on 5DIII MLRAW



youtube quality too bad(



The Director

thanks))

While the shortfilm expects festivals - we prepares for feature film.
It is plotted night, whether and therefore decided to check mark III in ml raw will be suitable for night shootings

test screenshots. 800 iso Zeiss 28mm






The Director

My Director's Showreel
Only ML RAW Canon 5D Mark III


goldenchild9to5

@The Director Great job Beautiful images, the Don Donut video did it for me.  What resolution did you shoot that video?  What was your workflow?  Lastly did you use any LUT's?

The Director

Quote@The Director Great job Beautiful images, the Don Donut video did it for me.
Thanks! :)
QuoteWhat resolution did you shoot that video?
Always 1920x1080 and after crop it to ~ 1920x800
QuoteWhat was your workflow?
mlv -> raw2cdng 1.7.4 -> edit dng in premiere (maybe proxy) -> import project Premiere in AfterEffects / colorgrading, skinretouch, rotoscop, cleanup and other -> prores444(422hq)
QuoteLastly did you use any LUT's?
Last time's I used to cinematic contrast and color Implulz BMDFilm_Kodak Vis3 250D 5207 (except don donut).






PAISTE

Привет!
Очень крутой покрас! нереально просто!
Возможно ли каким то образом поучиться у тебя? Возможно онлайн?
Еще вопрос пользовался ли ты DaVinci когда нибудь почему выбрал AE?

The Director

Привет.
Блин, я не даю мастер-классов и вообще не знаю, как учить людей)
На самом деле главное кошерный исходник. Я же ничего магического не делаю, просто несколько лутов, подправил вручную некоторые цвета, акцентировал на объекте.
Да я уже раза три устанавливал DaVinci, но у него ужасно топорный интерфейс и воркфлоу не юзерфрендли, просто неудобно по мне.
Жду 12ую версию, если будет комфортно работать - наверное пересяду.
AE я просто хорошо знаю и по возможностям он ничем не хуже. И дебайер dng там намного лучше.

PAISTE

Чуви, разреши скинуть тебе пару референсов своих а по скайпу в режиме демонстрации ты покрасишь. На твоих условиях )))

The Director

Да у меня ни скайпа, ни вебкамеры, ни банального микрофона нет))

The Director


DeafEyeJedi

I like the contrast of this Kodak 50D 5203 LUT -- would you mind sharing where you find/purchase them from?

Unless they're from Vision-Colors?
5D3.113 | 5D3.123 | EOSM.203 | 7D.203 | 70D.112 | 100D.101 | EOSM2.* | 50D.109

The Director

Quote from: DeafEyeJedi on October 04, 2015, 12:20:07 AM
I like the contrast of this Kodak 50D 5203 LUT -- would you mind sharing where you find/purchase them from?
Unless they're from Vision-Colors?
Yes, it's VisionColor Impulz.

Jay429

Thats real nice , would you mind giving a quick run down how you used it?
resolve>wb etc>then a node with the kodak lut?

The Director

Quote from: Jay429 on October 05, 2015, 01:20:35 PM
Thats real nice , would you mind giving a quick run down how you used it?
resolve>wb etc>then a node with the kodak lut?
exactly. in node with lut - may be some custumize with curve
+saturation of some colors, hue, vignette to the main object in a scene

The Director


_OLLE_

You are really good at this...!