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In exposure override I don't have the option to increase the numbers I can only turn it on and off. Then on fps override do I set it to 23.976 or 60? Last question, is 1600 ISO too high for twixtor?

The shutter speed should be minimum of 2x the final fps you want. So, for example, if you want it to be 120fps, you'll need at least 1/240 shutter speed. I suggest you use the lens wide open (<f/2.0) or else you will have to up the ISO and Twixtor don't do well with noise.
If you're recording in sunlight, try to use Exposure Override in ML and set it to 1/8000.
Also, if you don't need audio, turn on the FPS override and choose "High FPS" preset.
On Twixtor, I use these settings (on AE - always work for me):
- Image Prep : Contrast/Edge Enhance
- Frame Interp : Motion Weighted Blend
- Warping : Foward

This is exactly what I needed to know! Do you happen to have any demonstration? Anyway, thank you very much for the help.

Hi guys, I'm going to shoot a music video with ML in about 2 weeks. With B roll I prefer 120fps over 60fps so I'm thinking of using twixtor. Does anyone have any experience with this or knows what settings I should use in-camera and in post? My biggest question is with the sutter speed, I guess I should double it if I want to convert 60fps to 120? I appreciate any help and tip. Thanks

Does the image display in real time at 60p on an external monitor? On my mk3 screen it's not fluid at all. Only without global draw.

Depends on the monitor

I love this
How did you embed the Vimeo video into the forum post? I want to share some of my videos with you guys.

Just put your link in brackets

Yes, you have to output to S-Log3, not Alexa Log-C. These LUT's you're using are constructed based on S-LOG standard, if you output Log-C and put a LUT based on S-Log3 it'll end up with wrong colors and contrast, and might generate all sorts of issues, such as bandings and chroma artifacts. Even if you're working with the correct profile, these LUT's can generate wrong colors. That's the case of ImpulZ LUT's. I really like to output Log-C on MLVapp and then apply the Vision3 emulation from ImpulZ, but it always generate magenta midtones, for some reason.
If you want color precision, as I have said in many other posts, working with ACEScct on CinemaDNG files is probably the best non-destructive workflow today (although the color matrix on some processors like Resolve don't seem to be precise, as @Andy600 pointed in other posts too)...

Unfortunately I don't have data space and processing power for a CDNG workflow. I export to prores 444 and need to use proxys to edit with no breaks on premiere. I will take your advice and check S-LOG3 on the MLVAPP before exporting. I was confused because I thought James Miller's profiles were based on C-LOG and I saw everyone saying how the 5dIII was similar to the alexa so I associated the two. Thanks for taking your time. I'm still a noob in regards to codecs and color theory.

Ok thank you! It's S-log3 though, does it matter? I've been exporting with the alexa profile.

Hey guys. I recently started working with James Miller's C-LOG profiles. Don't now if you guys are familiar with it but my question is what export profile should I pick in MLVapp? I got Cineon, Alexa's and the s-log. Anyone's been through this and reached a conclusion of what's best?

I believe it was all the same, 1080p. And yeah I tried to denoise the last part but you can't polish a turd. There wasn't enough light for correct exposure when I recorded.

I have pretty much the same question but with a lower budget. I need a monitor for my 5dmk3 with a ronin-m. I need it to work with 1.1.3. I just need it to assist me in framing and focus while I move with little to no latency.

It is beautiful. I'd love to apply this to video but I have no idea where to begin with.

5d mk3 raw 14bits -> MlvApp -> adjust exposure, blacks and remove vertical lines -> export to prores 444 -> make proxys in premiere -> edit -> replace proxys -> grade & export

Looks good. You know your shit.

Thanks! No remarks on the quality? I'm not really an expert in Raw and my workflow is messy.

Hi guys. I did this short commercial work and I used my canon 5DIII and ML raw. I kinda struggled with this but the client loved it and I still got paid. Waiting for your feedback.

Nice work. What was the bit depth? And why haven't you used the slow motion feature?

Does the image display in real time at 60p on an external monitor? On my mk3 screen it's not fluid at all. Only without global draw.

How do you guys process dual iso mlv's? I click the "on" button on the dual iso tab but the end files still have lines.

is it normal for the image to be squashed/stretched?
I had this working about 2 months ago when I went back to it I couldn't really remember if it was always like that.

when using crop_rec 1080p 45/48/50/60fps do I need to enable 720p50/60 mode on canon's menu?

Ok, ok but now when I play around with the camera the image moves like jelly on liveview. Is that normal?

Ok thanks, very kind of you! So the closest i can get to 1040 is 1:85:1 (gives me 1038). Is that it?

I can't find the option to decrease vertical resolution on the crop rec submenu and  have the most recent build I believe. How do I opt between the two?



Also, I have a doubt that I looked around and still couldn't figure out maybe because it is too basic. Here it goes: does crop rec mean zooming x5 in liveview while actually capturing the equivalent of x3? I struggle with this question because last week I'm pretty sure I recorded in 1080p48 continuous without zooming in.

Hi everyone.
I've been recording in 1080p 48fps, but the liveview is too slow. Is there a way to get it playing realtime or just faster in general? I've tried disabling global draw and the only modules enabled are the raw video ones.

Damn. I've been struggling looking for a stable workflow. I aldready lost so much footage going back and forth between mlvdump, mlvp, resolve or converters. I'm trying this one now. Hope it sorts me out. Thanks.