Messages

Fantastic!  Must have taken a lot of planning - or even more in post.

Marvellous and thank you, Martin, looking forward to the release.

Loved it!  All ambient light?

Looks intriguing, will try and catch the full work.

Great fun!

Very interesting, I've never seen raw anamorphic footage before, thanks for sharing.

I liked it!

Sharp, nice colours!

Well done, Francis and thank you for all you share with us.

Very nice. All I would add is a thought about the lens you use - wide and close up?  It results in some disorientating background effects e.g. around the 20 sec mark.

Lovely, thanks for sharing.

Again, very nice sharp images, the 35Lii certainly delivers there!

Nice, the 50L seems to suit well this type of shot.

what lens did you use?  any nd filters?

+1 please, some sharp images there.

Hi Jan

Your video appears here just fine. I like the scenes in the shop and station, but the road shots are too dark on your rapper's face, I think.

Some lovely colours there, what an interesting part of the world.

Excellent, thanks for sharing.  Jason is very articulate.

I found it very watchable, but have only a vague idea what it's saying.

Color and look, I like!  What it all means, I've no idea lol!

Very nice observational shots, thanks for sharing, though of course some stabilisation would help (if you can) and personally, I find the very shallow depth of field sometimes counterproductive.

Well done, Francis and +1 from me on all you say about ML.

No, stick with Raw, it's great!  But I can see how in this style of shooting, you're going to accumulate a lot of data; maybe review footage daily and discard what you don't want?  Good fun film!  I might add the fisheye works for me indoors, but I found it a bit disconcerting outdoors, IMO I would stick to ~24mm there.

Beautiful imagery and I really like some of the camera angles & movements, plus that transition from lake overhead shot to sun through the trees.

Have you used it on cropped sensor DSLRs before?

@PaulHarwood856

No, full frame only, on which the mk1 EF 24-105 f/4 IS is wide enough at 24mm (tho' a little distorted, where I'm hoping for improvement with the mk2). I think you'd be right about it maybe not being wide enough on a crop sensor - for which I can certainly recommend the EF 16-35 f/4 IS as a great lens!

I liked the framing and editing, but the grade wowed me the most!