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Hi all.
So I've finished grading a short and have just exported all my graded clips as DNxHD 444 from resolve so I can link them to my proxy timeline in premiere.

I mean to have had the right filename settings on the export in resolve - they include the same original name but just adding a unique prefix.

now when i offline my proxies and try to relink my DNxHD's, Premiere is not having it ...
I succeeded in forcing premiere to link all the DNxHD's but then it gives me "danger stripes" on all the clips that are used more then once in the timeline... it will only link one file to the files that have the same name (although not the same prefix)

can someone help me please??

so annoying to be stuck at this step.

do I have to re-export my DNxHD's?

Hope someone understand my problem... and has a good idea of what to do...

best
J

Hi all.
So I've finished grading a short and have just exported all my graded clips as DNxHD 444 from resolve so I can link them to my proxy timeline in premiere.

I mean to have had the right filename settings on the export in resolve - they include the same original name but just adding a unique prefix.

now when i offline my proxies and try to relink my DNxHD's, Premiere is not having it ...
I succeded in forcing premiere to link all the DNxHD's but then it gives me "danger stripes" on all the clips that are used more then once in the timeline... it will only link one file to the files that have the same name (altough not the same prefix)

can someone help me please??

so annoying to be stuck at this step.

do I have to re-export my DNxHD's?

Hope someone understand my problem... and has a good idea of what to do...

best
J

Hi everyone,
couldn't find a post on this subject directly.

I want to invest in a new computer that is tough enough for editing raw mlv files online.. (but would also like to know what you can get away with with a online/offline workflow)..
right now I own a Macbook pro from 2012, so im not even gonna try to find a workflow as it will probably be too much of a hassle on its specs.

But what kind of hardware are people using for their post production, working with high res raw files?
Please enlighten me so I know I'm getting something strong enough - but at the same time dont waste money on something superficial.

cheers

Hello Magic Lantern folks
Thanks so much for all the help you can find here.

Im shooting a Short film in the next month using a 5D3.
I'm shooting onto a 800X lexar CF card which is unfortunately not fast enough for shooting 1920x1080 in RAW.
But if I turn the resolution down to 1280x720 and shoot in raw, it works flawless even with my 800x card.
Now my question is if someone would let me know what they would decide for shooting;
should I stick to RAW with the lower resolution 1280x720 ((also having to deal with the more complicated raw post workflow later)), or should I go back to shooting in H.264 with a 1920x1080 resolution?
I'm basically trying to figure out what the highest quality picture would be? - what I loose by having to turn the resolution down to 1280x720 if I choose RAW. (I can already see i loose a lot in terms of the capability of my lens)

(ps: I dont have more cash to buy a faster CF card)

I Hope someone understand my question and will take their time to let me know their opinion or experience.