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Messages - paulheran

#26
Quote from: wib on August 17, 2020, 11:52:10 AM
So beautiful ! The montage evolution from the harbor to the city, then the forest, so peaceful with the music !

Your lens are tack sharp !

Tell us more about your run and gun. Did you carried with you a tripod ? So you imported the dng in davinci to re render the file but with BM gamma ? Did you set up that in the raw management menu like in this capture ?



Thank you. Sometimes I bring a small tripod setup, but I'm always trying to keep weight down, because I'm on my bicycle. Most of the shots as you can tell are locked off, or have very minimal movement, but I like how they feel like photographs with some very subtle movement in the frame. I go on short rides from my house in Queen Anne, I bring one battery and one CF express card (Komputer Bay 256 1200x). I keep the Canon 40mm pancake on the camera and bring one other L series lens. I have the 16-35 2.8, 24-70 2.8, and 70-200 2.8 IS. My tripod is the tiny smallrig tripod. I try to find surfaces or platforms that will allow me to shoot from a "normal" height. I either have the smallrig photo head on there, or I sometimes put the smallest manfrotto video (MVH400AHUS) head on there to have the ability to pan.

photos of my setup: https://www.dropbox.com/sh/zuyjzkcq9wow9kn/AACfwJYSrOg-yTjAwrVkQitza?dl=0

And yes I use MLVFS to convert my MLVs to DNG sequences, then bring those into Resolve to export ProRes with BM gamma. And yes, I set it up in the Camera Raw settings in Resolve.

RAW Profile: CinemaDNG
Decode Using: Project
Color Space: Blackmagic Design
Gamma: Blackmagic Design Film

This way the luts I use in Premiere will work nicely. I don't use resolve to color correct or grade yet because I haven't learned a good workflow yet.

Thanks for your comment,
- Paul 
#27
@masc does MLV APP automatically recognize the (MLV+M00) clips? Do you need to organize them in a special way in your folder?

Also, newb question but what exactly does overclocking do and is it necessary for this 5.7k anamorphic mode?

Thank you for the help,

- Paul
#28
https://vimeo.com/445060850
Big thanks to the awesome community. Always inspiring me to continue shooting with my 5D MKIII.

This video shot on my some bike rides I took during covid. Plus a few extra shots from the coast.

Shot with:
Canon 5D MKIII
Canon 40mm pancake
Canon 24-70 2.8
Canon 70-200 2.8

Magic Lantern 3.5k crop rec mode
transcoded to prores 444 in Davinci with BM film gamma
Then applied Hunter's lut in premiere pro.
#29
Thanks all for the kind words! I am grateful to be part of such a positive and creative community.

Here is a little more info on my settings and post process:

I  use the Komputer Bay 256GB 1200x card. I captured 3.5K Raw video in a 2.72:1 aspect ratio. I used MLVFS to convert to CDNG files and then DaVinci Resolve to convert to Apple ProRes 422 HQ files with the Black Magic Film gamma. Before exporting in Resolve I will try to get a good exposure with all the raw data, meaning if I under exposed the image, I will do a minor lift in Resolve. In Premiere Pro CC I applied the EOSHD Lut and did some minor tweaks to contrast/saturation, but the the image you get with this lut is pretty incredible as is. I can't stress enough how helpful the EOSHD raw shooter guide is. I go back to it every time I find myself wanting to dabble with Magic Lantern raw on my 5DMKIII.

Canon 5D3 + Komputer Bay 256GB 1200x CF card
Magic Lantern Raw Rec Crop Mode 3.5K (3584x1320)
EOSHD Raw Shooter Guide - http://www.eoshd.com/2017/09/the-eoshd-5d-mark-iii-3-5k-raw-shooters-guide/
Davinci Resolve
Premiere Pro CC
#30
Quote from: ngemu on October 21, 2019, 10:25:55 AM
Wow.. loved every single shot!! Do you have any more videos to share using the MKIII?

How did you pan the camera so smoothly?

@ngemu, Thank you for watching!. That was all hand held, or just putting the camera on a smooth surface and rotating as smoothly as possible. I did use some warp stabilizer in Premiere as well.
#31
Thanks so much, ML team.

This is a little video I shot on a trip to Taiwan with my girlfriend and her family in January of 2019. The video was shot with a Canon 5D MKIII with Magic Lantern firmware. The shots were captured in 3.5K raw mode. I used a canon 24-70 and 40mm pancake lens.

EOSHD Raw Shooter Guide - eoshd.com/2017/09/the-eoshd-5d-mark-iii-3-5k-raw-shooters-guide/
Davinci Resolve
Premiere Pro CC

Song "Early Morning by Uncle Skeleton" from musicbed.com

https://vimeo.com/367631108

- Paul
#32
@goldenchild9to5 Just checked my Raw Magic is version 1.3 but I must have paid for it a while back. It had an update to 1.3.1 available.. hmm. Canon firmware was 1.2.3 and my ML version is nightly.2014Aug07.5D3123. I am I missing out on new features in more recent versions, or am I ok with the one I have?

Thanks guys! I really appreciate the help.
#33
@DeafEyeJedi

yeah, sorry! haha Mac OSX Yosemite
#34
@DeafEyeJedi

The 24P stuff is all 1920x1080 (cropped with bars in post) I had no problem shooting continuous at that size/frame rate. No special settings these were some of my first shoots with ml raw, so I didn't change much. I can't remember if it was in raw or mlv mode though..

For the slowmo shots, I just changed the frame rate in the Canon menu to 1280x720 60p. I set the aspect ratio in the ML Raw menu to 2.35:1, and the resolution to 1920x818 which gives you a squished image. In Davinci resolve's color module, I increased the height by 1.61 to achieve a normal looking 2.35:1 image. Oh, and I was only able to shoot 8-10 seconds at a time with a 64GB Komputer Bay card. Good Luck!
#35
@goldenchild9to5 Thank you for your compliments!

So I followed Hunter Hampton's tutorial for workflow, and then used Andrew Reid's (eoshd) lut i believe. I played around with Hunter's lut too and I like it for some stuff, but the eoshd lut was a little more realistic looking to me.

Basically, bring footage into rawmagic>resolve and convert all shots to bmd log and then apply the lut, and then make any exposure/color corrections.

I'm running resolve 11 lite on my macbook pro. (pretty slow, but doable)

Hunter's workflow - https://vimeo.com/67970827


Also I followed this for workflow help -vhttp://rungunshoot.com/magic-lantern-raw-on-the-5dmkiii/
#36
@DeafEyeJedi Thank you for the response!

I shot this video last December, and had no idea about the flat log. I actually just found out now that you mentioned it. I'll have to look into the Cinelog-C LUTS and Dual-ISO. Very excited to try both.

I am running 10.10.3 for Resolve 11 Lite. Seems to work ok, playback is not great.

#37
Very real and beautiful color! I dig the bts videos. Well done!
#38
Share Your Videos / Magic Lantern RAW In The Snow
May 13, 2015, 07:29:42 AM
Chris, Gared, and I explored some terrain off the Castle Peak exit on Donner Summit. The snow was a little heavy, but still one of the funnest days I've had in recent history. Great times with these pals. Thank you ML team for RAW!

Canon 5D MKIII - Magic Lantern RAW
1080 24p - Davinci Resolve - Premiere Pro CC.

Any questions? Feel free to hit me up! I'd love some feedback on colors. I'm a newbie in Resolve..


#39
Love love love the color! Beautiful work!
#40
Thank you so much Magic Lantern team! I still can't believe what you did! More videos on my vimeo page - https://vimeo.com/paulheran