Quote from: wib on August 17, 2020, 11:52:10 AM
So beautiful ! The montage evolution from the harbor to the city, then the forest, so peaceful with the music !
Your lens are tack sharp !
Tell us more about your run and gun. Did you carried with you a tripod ? So you imported the dng in davinci to re render the file but with BM gamma ? Did you set up that in the raw management menu like in this capture ?
Thank you. Sometimes I bring a small tripod setup, but I'm always trying to keep weight down, because I'm on my bicycle. Most of the shots as you can tell are locked off, or have very minimal movement, but I like how they feel like photographs with some very subtle movement in the frame. I go on short rides from my house in Queen Anne, I bring one battery and one CF express card (Komputer Bay 256 1200x). I keep the Canon 40mm pancake on the camera and bring one other L series lens. I have the 16-35 2.8, 24-70 2.8, and 70-200 2.8 IS. My tripod is the tiny smallrig tripod. I try to find surfaces or platforms that will allow me to shoot from a "normal" height. I either have the smallrig photo head on there, or I sometimes put the smallest manfrotto video (MVH400AHUS) head on there to have the ability to pan.
photos of my setup: https://www.dropbox.com/sh/zuyjzkcq9wow9kn/AACfwJYSrOg-yTjAwrVkQitza?dl=0
And yes I use MLVFS to convert my MLVs to DNG sequences, then bring those into Resolve to export ProRes with BM gamma. And yes, I set it up in the Camera Raw settings in Resolve.
RAW Profile: CinemaDNG
Decode Using: Project
Color Space: Blackmagic Design
Gamma: Blackmagic Design Film
This way the luts I use in Premiere will work nicely. I don't use resolve to color correct or grade yet because I haven't learned a good workflow yet.
Thanks for your comment,
- Paul