Etiquette, expectations, entitlement...
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Very nice grade and cleans shots.
But masks at 0:18 and 0:27 are not clean. We can easly see borders of masks.
I think you could use just simple transitions.
I like it!
Any particular reason why you had the lights and light stands in the background?
Looks good, but i can see that you've some deads pixels....
Very nice job, I especially liked the titles. One thing I would change is to switch the dolly at 00:19 and the one at 00:46 as the move-into-scene generally belongs, from a language perspective, to the beginning of the action while the move-out dolly is more suited to the ending.
Amazing work once again @Ali Oliya -- especially for handheld with a 70-200L II IS. Love that glass as I wish to own one. Play with one at work tons tho!Thank you bro! I actually rented that glass too.. have you heard about Tamron 70-200 new series? i heard it beats Canon 70-200! with much less price...
Assuming these so called microjitters were from using 24-70 2.8 @ 70mm, right? I've learned that's it works better when you hold the camera like its a plastic cup (without squeezing too much) when it comes to using zoom with no IS.yes right and Thanks for the tip..i will keep it in mind. what i learned so far is to never touch the camera without a rig or IS.
I prefer the sharpness from the 24-70L than the smoothness of 24-105L though a tad slower. Life's full of compromises.24-70 is a very needed lens for video. much much better than the clumsy slow 24-105.
Maybe already did but have you tried using some Stabilizer-plugin while in post?yes i did some warp stabilizing on 24-70 footages. it worked in some shots and never worked in jmicrojittery shots. thats why i left them that way.
Great use of these lighting sources. Are most of these flares you produce coming from the actual Sunlight coming through or the LED's?No, they were all some light leaks curated footages (from Lens Distortion) added in post with screen blending
So glad you are still utilizing the most out of Cinelog-DCP -- it really stands out well in your films as of late.Cinelog-DCP is a magic. works like charm. i believe its the best thing you can grant to your Raw footages. so close to Alexa LogC
I call it film because you keep it as authentic as it can be when it comes to MLV RAW. Two thumbs, my friend!Very kind of you my friend. I'm glad you you think so!
I like it, lovely colors! Some microjitter from the handheld shots, but otherwise really nice to look at.
Awesome! Amazing grading, shots, text and sound design!
The location is kinda disturbing for a girl with scarf in luxury clothing. It feels like a statement of some kind.
Does anyone know where I might be able to download the Alexa lut used in this video. Google doesnt seem to bring up the lut.
Nice grading. Can you tell more about color post processing?
I dig the colors. What glass did you use for this?
Looking good! Out of curiosity, was that all 1080p or one of the higher-res modes?
Can someone write tutorial about how to rec on these modes? Why do I get this http://joxi.ru/YmEqBpZF06jjnm.jpg instead of DNG? What mlv_dump for?mlv_dump is lovely!! make sure you use the mlv_dump in experiment page. otherwise you end up with noisy pink DNGs. been there before. or you can try the amazing cr2hdr.app. (note: dont judge the frames by their thumbnails. open them in photoshop to see if they are converted right. and not the first frame also!)
ML -->Movie -->Raw Video -->Resolution when you're in resolution without open menu scoll the wheel on top or move the joystick left and right you should increment or decrement vertical resolution of 16 pixel each time you move it
its only in RAW Video not in MLV Raw. thank you!
