Thank you, Andy! Can't wait to check it all out!
Etiquette, expectations, entitlement...
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Show posts MenuQuote from: DeafEyeJedi on December 08, 2014, 01:02:56 AM
C,mon guys cut some slack for @Andy600 since he may be busy with life just like all of us, rightfully so.
Quote from: Looklabs"Once you convert your RAW to REC. 709 you should then apply our new universal camera patch (Rec. 709 To VS-LOG). From there you can add a SpeedLook over top and color correct in between the two layers."
Quote from: beauchampy on November 23, 2014, 12:50:21 AM
Just to clarify. The Cinelog LUT I'm referring to isn't part of Koji, it's this:
http://www.cinelogdcp.com
Quote from: beauchampy on November 23, 2014, 12:50:21 AM
Now, if you were to do it without Cinelog, Koji recommend you use their Canon DSLR LUTs on 5D Raw footage and bring the saturation down a little.
Quote from: Koji ColorWe should make this a bit clearer. Our recommended workflow is:
- In Resolve, choose "BMDFilm" in the raw settings for both Color Space and Gamma.
- Apply one of the Koji BMDFilm to Rec.709 LUTs.
That's it - just one LUT. I know it sounds strange to use BMDFilm since you didn't shoot on a Blackmagic camera, but it's 100% correct.
Quote from: reddeercity on November 22, 2014, 05:26:48 PM
I just would like to see better support in FCPX with raw.
Quote from: andresharambour on November 18, 2014, 02:47:21 PM
A few months ago I paid for a 6 months subscription to colorgradingcentral.com and was totally worth it.
Quote from: andresharambour on November 17, 2014, 02:18:53 AM
Hey guys,
I just wanted to share this short comparison of Koji LUTs being applied to a clip that had Cinelog LUT applied to it.
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