After converting several formats, H.264>>ProRes (with Bigasoft Converter) Cineform>> (GoPro Studio) and a few others I have tried, these CDNG files are the best and edit in real time seamlessly even with effects dropped on them and in full res. The native H.264 files are horrible to try and edit with and even ProRes files bog down in 1/2 and 1/4 res. The CDNG workflow is the way to go. It is really smooth in PPro editing wise so far. Glitch free scrubbing and playback at full res, on my machine anyway. You don't have to import all the clips in as a sequence or anything like that, just convert and drag into the project bin from the Media Browser in PPro.
You are on the right path, and close with this. The best thing is how FAST it converts the RAW files! Fast! MLV is another story because of that bottleneck, so yes, native MLV may be the way to go.
Oh... on some clips I get weird color banding in PPro like in this image (3X magnification) screen shot from PPro single frame export.
But doesn't appear if the same CDNG is opened in Photoshop. Only looks like that in Premiere.
You are on the right path, and close with this. The best thing is how FAST it converts the RAW files! Fast! MLV is another story because of that bottleneck, so yes, native MLV may be the way to go.
Oh... on some clips I get weird color banding in PPro like in this image (3X magnification) screen shot from PPro single frame export.
But doesn't appear if the same CDNG is opened in Photoshop. Only looks like that in Premiere.